Ein israelischer Filmemacher reist in ein Dorf mitten in der Wüste, um in der dortigen Bibliothek seinen neuesten Film vorzustellen. Eigentlich hat er mit dem Projekt längst abgeschlossen und denkt ...
En fange bliver fundet livløs i sin celle få timer før sin henrettelse. Han har forsøgt at begå selvmord, og fængselslægen bliver straks tilkaldt for at forsøge at genoplive ham. Denne rystend...
By using a particular form - the abstract metaphorical image - the intention is to narrate the essence of change. A sequence of images describes a state of being, mentally, spiritually, emotionally. T...
The danish musician Lisa flls in love with the Russian director, Aleskander Kirilov. She travels to Moscow to win his heart, but Aleksander is a busy man. Lisa fights for his attention - foreign city,...
In the twenty-four hours around the concert of world famouse flute player Michala Petri three people are trying to grasp on to love. ¿Did you know, that people in relationships are happier than other...
In forestrial Southern Sweden in the 16th Century, Inge, a young nobleman, searches for Arild, his lost identical twin brother. In a story of mistaken identities, Inge is firmly believed to be Arild b...
Da en tornado rammer det triste Kansas, bliver den forældreløse Dorothy blæst til det farvestrålende land Oz. Hun kommer til at fornærme en ond fe, men bliver beskyttet af sine røde sko. Den god...
"Water" foregår i Indien under britisk kolonistyre i 1938, på samme tid som Mahatma Gandhi begynder at gøre sig bemærket. Chuyia er blevet enke i en alder af kun 8 år. Tradition og de religiøse ...
Sangay Rinchen (on the left) in "The Farmer and I" (2013-16)
Filmplakat
German movie poster of "Can and Me" (2022)
"Messi and Maud" (2017)
Rifka Lodeizen, Christobal Farais in "Messi and Maud" (2017)
Szene aus "Lost and found"
"Near and Elsewhere" (2018)
German movie poster of "The Farmer and I" (2013-16)
Martin Dentler GmbH. „Die richtigen Films zur richtigen Zeit.“ Der Kinematograph, 401 (1914): 11. Werbeanzeige, die mit der Bedeutung der beworbenen Filme angesichts des Krieges wirbt.
C.Z.K.. „Presseschau.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 3/4 (1913/1914): 89-90. Der Autor zitiert mehrere Pressestimmen, die den kulturellen Wert des Films herv...