Documentary about the Resistance during both world wars.
Documentary on the mechanised production of chocolate.
Documentary about the issues that are plaguing the education for disabled students.
Documentary about the issues that are plaguing the education for disabled students.
Documentary on Franco's troops entering Barcelona, which provides glimpses of the impact the war has had on the city (such as ships sunk in the harbour). It includes footage of a few of the events sta...
L'oeuvre scientifique de Joseph Plateau (1801-1883). Le film commence par un portrait de Joseph Plateau, qui fut l'élève de Quetelet. Dans sa jeunesse, il dessine (bataille de Waterloo, Spa). Lectur...
Promotionele documentaire over de witloofteelt in de streek rond Brussel. In deze film voor witloof wordt aanvankelijk het hele kweekproces besproken. Zaaien, wieden, uitdunnen, oogsten en dan het pla...
Ce film est consacré à l'action de l'Institut national pour le logement et réalisé à l'occasion de l'Exposition universelle de Bruxelles de 1958. Il commence par des images de paysages belges (la...
Unfinished film of camera shots made during a children's trip to the seaside. Most of these children are orphans whose parents died during World War Two.
Unfinished film of camera shots made duri...
Bozidar Kocevski (right) in "Darkroom" (2019)
Willy Birgel, Marianne Hoppe, René Deltgen (v.l.n.r.)
Victor Sjöström, Edith Erastoff
Still from "Attila"
Victor Sjöström
Still from "Cabiria"
Still from "Cajus Julius Caesar"
Still from "Cajus Julius Caesar"
O. Verf.. „Der Kinematograph im Dienste des Heeres.“ Der Kinematograph 401 (1914): 3-4. Artikel über die Möglichkeiten, Filmtechnik militärisch nutzbar zu machen. Der Film sei nicht nur zu Zwec...
Daily production report No. 8, 19 October 1961 on the shooting "Auf Wiedersehn".
Synopsis of "Liebe" (Working title: "Vor Rehen wird gewarnt").
Daily production report No. 26, 18 May 1956 on the shooting of "Der erste Frühlingstag".
Hansa Filverleih GmbH, Luftkämpfe. Ein Tag bei einer Jagdstaffel im Westen, Der Kinematograph, 558, (1917), S. 19-21.