A silent romantic film about the battle between two fur trappers for the hand of a lovely girl.
A silent comedy in which a jealous woman wants to catch her husband in the act of infidelity.
By offering him a drink, the doctor gets the bed-ridden patient back on his feet in a snap. The content of the film has much in common with De zieke gemeente-ambtenaar (The Sick Municipal Official), o...
A romantic Western in which a notorious criminal who is in love with the fiancée of the sheriff digs his own sentence by reuniting the sheriff, whom he has wounded, with the girl.
A documentary about the towns on the Zuiderzee.
A comedy in which the unattractive young woman De Roseville loses her handbag. The bag is found by a pretty girl, but then she also forgets about it. When a young man brings the bag back, he expects t...
After a drive through Amsterdam in a carriage, "Hadt-je-me-maar", dressed as a gentleman, takes his place as city-councillor in the Amsterdam Municipal Council, where he is warmly applauded by a group...
A short comedy in which a man must pay for his adultery in the form of a prison sentence.
Szene aus "Losers and Winners"
"Rivers and Tides" (1998-2001)
Maggie Peren, Ken Duken (v.l.n.r.)
Volker Michalowski, Veronica Ferres, Gael García Bernal (in the front from left to right) in "Salt and Fire" (2015/16)
German movie poster of "Near and Elsewhere" (2018)
Natasja Juul in "Near and Elsewhere" (2018)
Filmplakat
Enrique Fissin "Near and Elsewhere" (2018)
Tannenbaum, Herbert. "Probleme des Kinodramas." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 3/4 (1913/1914): 60-63. Tannenbaum erörtert die Möglichkeiten des Films und probl...
O. Verf.. „Wo steht dieses Inserat?.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,6 (1913/1914): 150. Angeführt wird ein Inserat aus dem „Kinematograph“, in dem Fillme...
Berthold Baer, Wie lange noch ?, Der Kinematograph, 415, (1914), S. 21-22 Klage über einseitig deutschenfeindliche Kriegsberichterstattung in amerikanischen Kinos. Forderung nach deutschen Aufnahmen,...
Mit der Kamera in der Schlachtfront.“ Der Kinematograph 397 (1914): 7. Werbeanzeige, die die Bedeutung der Filmaufnahmen gerade angesichts des drohenden Krieges hervorhebt.