Two fellow sailors narrowly escape death during a hurricane. Two sisters get engaged to two sailors, who are friends with each other. The men go out fishing on the “Thomas S. Corton”. Just as th...
The young train driver Max has to rescue his beloved Lisabeth, the daughter of the station master, from the hands of two drifters who try to break into her home to steal the wages of local miners.
A short melodrama about the love entanglements of Greta, the daughter of a white farmer in (South) Africa.
Louisette in Amsterdam is part of the film Van Boerin tot Ster.
Magde leaves her fiancé Lewis in order to take care of Lulu, the child of her deceased sister, in New York. After some time, chance brings the two lovers together again.
The performance of Teirlinck’s allegorical play “'De Torenbestormer'" (The Tower Stormer), performed by the Delft student association on the occasion of the anniversary celebrations.
A ship castaway causes problems.
A successful lawyer has to defend the brother he had had lost sight of years before.
Maggie Peren
Christobal Farais (second from left), Rifka Lodeizen in "Messi and Maud" (2017)
"Messi and Maud" (2017)
Rifka Lodeizen, Christobal Farais in "Messi and Maud" (2017)
Szene aus "Losers and Winners"
Ken Duken, Hinnerk Schönemann (v.l.n.r.)
"The Farmer and I" (2013-16)
Veronica Ferres in "Salt and Fire" (2015/16)
Das erste Feldkino, Der Kinematograph, 421, (1915), S. 24. Bericht über die Eröffnung eines Feldkinos, der aus der Zeitung des 15. Armeekorps zitiert wird.
Daily production report No. 2, 24 June 1959 on the shooting of "Melodie und Rhythmus".
Hellwig, Albert. „Gebühren der Filmzensur.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, III, 11/12 (1913/1914): 259-263. Bericht über die Zensurgebühren.
O. Verf.. „Aus Schweden.“ Der Kinematograph 380 (1914). Bericht über den Einsatz des Films als Werbemedium für die schwedische Armee.
Der Kampf gegen die deutschfeindliche ausländische Kinoindustrie, Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, IV,1, (1914/1915), S. 9-11. Die deutsche Filmbranche sei noch immer ...
Martin Dentler GmbH. „Die richtigen Films zur richtigen Zeit.“ Der Kinematograph, 401 (1914): 11. Werbeanzeige, die mit der Bedeutung der beworbenen Filme angesichts des Krieges wirbt.