A travel film featuring shots of the Manawatu region of New Zealand.
A woman who is caring for her sick husband is attacked by an intruder, but at the last moment this intruder decides not to rob the good woman of her jewels.
Informative film that depicts the production of wooden barrels, from the tree to the finished barrel. The film opens with some images of loggers at work. Oak is the best wood for this purpose. Logs ...
An American Indian film in which Buffalo Big falls in love with the daughter of Colonel Sherry.
Two fellow sailors narrowly escape death during a hurricane. Two sisters get engaged to two sailors, who are friends with each other. The men go out fishing on the “Thomas S. Corton”. Just as th...
The young train driver Max has to rescue his beloved Lisabeth, the daughter of the station master, from the hands of two drifters who try to break into her home to steal the wages of local miners.
A short melodrama about the love entanglements of Greta, the daughter of a white farmer in (South) Africa.
Louisette in Amsterdam is part of the film Van Boerin tot Ster.
Patrick Güldenberg in "Hard & Ugly - Eine Liebesgeschichte" (2015-17)
Sönke Wortmann, Lavinia Wilson, Jürgen Vogel, Oliver Berben (from left to right) on the set of "Schoßgebete" (2013/14)
Peter van Eyck, Irene von Meyendorff
Nicoletta Braschi, Luca Chikovani in "Glücklich wie Lazzaro" (2018)
Christoph Waltz, Anica Dobra in "Dienstreise" (2002)
Myriam Bru
Szene mit Joachim Fuchsberger, Stanislav Ledinek, Günter Pfitzmann (v.l.n.r.)
Filmplakat 02
O. Verf.. „Der Kinematograph im Dienste des Heeres.“ Der Kinematograph 401 (1914): 3-4. Artikel über die Möglichkeiten, Filmtechnik militärisch nutzbar zu machen. Der Film sei nicht nur zu Zwec...
Daily production report No. 8, 19 October 1961 on the shooting "Auf Wiedersehn".
Synopsis of "Liebe" (Working title: "Vor Rehen wird gewarnt").
Daily production report No. 26, 18 May 1956 on the shooting of "Der erste Frühlingstag".
Hansa Filverleih GmbH, Luftkämpfe. Ein Tag bei einer Jagdstaffel im Westen, Der Kinematograph, 558, (1917), S. 19-21.