I. Spanish language version of a newsreel item on the city and cathedral at Amiens after the German failure to capture the city, 5th-7th April 1918. II. Spanish language version of a newsreel item on ...
Newsreel item on snow conditions in Flanders, showing the cameraman's car stuck in a snowdrift, and soldiers having a snowball fight, Western Front, January 1918.
Short newsreel item on Venice during the First World War, focusing in particular on Venice's canal network, used to transport men and munitions.
The film shows a gathering in the city of Lillehammer in Norway by farmers from Gudbrandsdalen. We also visit several places in Gudbrandsdalen before returning to the farmers' association's gathering ...
The film reconstructs the repulse of a German column charge by British rifle and field artillery fire in the centre of the battlefield, and then the defence of Nimy bridge on the left by 4th Royal Fus...
I. French language version of a newsreel item on British soldiers chasing and catching turkeys for Christmas at a French farm while the farmer's wife watches, December 1917. II. French language versio...
Subtitled "The work of the Department of the Director General Voluntary Organisations including the Camps Library". Introductory shot of the Director General Sir Edward Ward seated in his office in Sc...
Episode of the series "Aviation in Brescia": airplane exercises featuring the pilots Curtiss, Rougier, Calderara, Blériot and Cobianchi.
Alexander Korda
Brian McClatchy while shooting "Tagebuch einer Biene" (2020)
"Dark Eden - Der Albtraum vom Erdöl" (2018)
Filmplakat
Werner Peters
Freddy Quinn
Klaus Dierig, Kai Taschner (v.l.n.r.)
"Kofelgschroa. Frei. Sein. Wollen." (2014)
As producer, actor and filmmaker, Richard Massingham managed to combine his passion for film and medical science.
A cartoon combining drawings and live footage, in which a drawing comes to life while its author isn't there. The film's director began as a political cartoonist and in 1914 founded Bray Studios, amon...
Film used against itself, in an essay on the entanglement of mistery and religious merchandising where the kino-spirit rules instead of the kino-eye.