A documentary about religious rituals related to the passion of Christ as they are portrayed in different but similar ways in countries around the Mediterranean.
A group of ELAS (Greek People’s Liberation Army) partisans undertake a very dangerous mission. Among its members are experienced demolition experts, such as private Memos and captain Angelos, who is...
Two friends (Takis Moschos and Minas Chatzisavvas) live together in the house which was turned over to them by a third friend (Thanasis Mylonas). They follow a peculiar rhythm of life, spending their ...
Andreas Galanis’ return to his island awakens hatreds and passions from the past. The poor inhabitants of the mountain village Agrilia make their living through logging and every day face the abuse ...
Journalists Dimitris and Christina (Lampros Konstantaras and Maro Kontou) are a married couple who regularly quarrel, chiefly because Christina keeps referring to an old love affair with a man named S...
A literature professor gets a job at a high school famous for its untamed students and suffers from their pranks. When he falls in love with one of his students, however, he reveals another side of hi...
Theophilos Chatzimichail (Dimitris Kataleifos), the legendary painter from Lesbos, drops western garb and begins to wear the traditional Greek outfit. He often dresses like the national heroes he pain...
A prisoner of war who has escaped from Albania claims to be a Greek Army Major named Alexandros Vergis. This causes great confusion in the army, since Vergis had escaped a year earlier and now works f...
The PALACE Cinema program. On the front cover, cover: “Week 20-26, January 1936, ‘THE FEMALE INTRUDER” starring Brigitte Helm, Carl Deal, Z. Smits, G. Alexander”. Inside, an advertisement abou...
The film has as central heroine a queen with international adventures, rich but tired from the luxury of her life, who decides to help the British government to overcome the Middle East crisis. The fi...
A well-documented critical review about this film that revived not only French, but also international cinema, and is considered “one of the best applications of the cinema of truth”. The review t...
The poster is dominated by the figure of Aliki Vougiouklaki, who is depicted semi-naked, holding before her chest a straw hat that covers her naked body, and giving a coy grimace. Next to her, the two...
The critical presentation is rather reserved as regards the intended effect of the film and argues that Losey's historical re-enactment is inaccurate, although at times it reveals the great director's...
Programme for the IRIS Cinema It is a flyer with the name of the cinema, the film's title, "MY HEART LONGS FOR LOVE", and the synopsis. There is also an announcement about the forthcoming film "GIVE ...
This film "has been made to measure" for Bardot, who is "cast as the new persona of the French cinema". Roger Vadim introduces "a novel sex language … suggestive … sharp and imbued with great sorr...
The program for the screening of the film "The Workshop of Dr. Caligari " highlights the importance of the film for expressionism. It also mentions that the film’s collaborators combined their art a...
Periodical publication on cinema theory and analysis. Featuring various articles on the cinema.
STILL ABOUT G. DALIANIDIS’ “SOME LIKE IT COOL”: THE CAST, FACTORS OF PRODUCTION, PLOT AND PHOTOS
Weekly publication featuring a variety of topics on the cinema. The page 97 is selected: "Billy Dove, the valley of tears of an artist". 8th Format.
GLASS PLATES WITH COLOURFUL DRAWINGS VIEWED WITH A SPECIAL PROJECTOR.
STILL ABOUT PANTELIS VOULGARIS’ “HAPPY DAY”: FILM REVIEWS, THE PLOT, FACTORS OF PRODUCTION AND THE DIRECTOR’S BIOGRAPHICAL NOTES. [Photo of the back cover].
STILL ABOUT THE FILM “MIMIKOS AND MARY”: ADVERTISING MESSAGES ABOUT THE FILM AND PHOTOS FROM VARIOUS SCENES.
PHOTOCOPIED SESSION NO. 124 FROM THE PROCEEDINGS OF THE BOARD OF DIRECTORS OF EVANGELISMOS HOSPITAL, WHICH IS ABOUT THE FIRST FILMING OF A CESAREAN IN 1912: THE FIRST SCIENTIFIC FILMING IN GREECE.
STILL ABOUT DIMITRIS GAZIADIS’ “KISS ME, MARITSA” (ΕMBRASSE-MOI MARITSA): THE PLOT AND PHOTOS