Sofia and Dimitris are two young people who love each other and are planning to get married, but Dimitris’ father want him to marry a rich girl, in order to use her money to save his business from b...

A sergeant of the Flying Squad (Giorgos Fountas) tries, at night, to find blood for his wife (Tzeni Roussea) who is about to give birth. When he finally finds a blood donor, he has to face a mentally ...

Fotis is in love with Bilio, a last-year student at a provincial high-school, and serenades her frequently. Bilio’s teacher, Platon Papadakis, is also in love with her, but besides serenading her, h...

The film is dedicated to Kostas Foteinos. The visual processing of the film was carried out at Bros Giannikapanis Laboratories using Negatives, Kodak-Ilford positives, 3M while the sound was processe...

Zachos (Lampros Konstantaras) is a businessman who flirts with various women in his circle. Teta (Elia Kalligeraki), the daughter of one of the women Zachos pursues, has fallen in love with him but is...

The daughter of a powerful man in a mountain village in Greece is being pressured into marrying a rich man from the village, even though she loves a poor villager. Her lover leaves the village and tak...

A drama with elements of social criticism, based on the research of journalist Kostas Tsarouchas. In a remote Greek village, a ten-year old boy, Panos, is subject to brutal sexual abuse by a local ma...

A woman (Sapfo Notara) wins a fortune in the football pools and with this money helps her son become a film director. In addition, she makes her dream come true: becomes a movie star herself.

The programme for the film "Summer with Monika" includes a comment by Jean-Luc Godard for the great Swedish director, which highlights his singular style, noted for finesse and sensitivity; the philos...

Programme for the ORPHEUS Cinema. The name of the cinema is set in artwork on the front page. The cinema address, the film, "EASTERN PERIPHERY", directed by Vasilis Vafeas, full credits and the synop...

An unsigned pictorial composition created by an anonymous artist, featuring a hero of the Greek Revolution, who emerges on the upper part of the poster, holding a sword in his right hand and a banner ...

“Subtlety and sentiment” this short review characteristically states. A few words on the film and on the director’s need, in his maturity, to express his Greek soul.

The programme for the screening of the film "Spencer's Mountain", after details from the credits, mentions: the subject of life in the countryside, the plot, Henry Fonda and the photographer Charles L...

The programme for the screening of the film "The Struggle", after details from the credits, mentions: the film’s awards, the Group of Six, the anti-dictatorial struggle and 15 mm film, composition o...

Credits It says in the programme that Tennessee Williams' big stage hit "Cat on a Hot Tin Roof" was "masterly" adapted for the screen by R. Brooks under the title Cat On Α Hot Tin Roof. There is an ...

General thoughts about the genre of movie biography. Reference to Visconti's "Death in Venice" to cross over to Mahller by Russel that "has his own astonishing way of presenting the dream of music whi...

Periodical publication on cinema theory and analysis. Featuring various articles on the cinema.

STILL ABOUT G. DALIANIDIS’ “SOME LIKE IT COOL”: THE CAST, FACTORS OF PRODUCTION, PLOT AND PHOTOS

Weekly publication featuring a variety of topics on the cinema. The page 97 is selected: "Billy Dove, the valley of tears of an artist". 8th Format.

GLASS PLATES WITH COLOURFUL DRAWINGS VIEWED WITH A SPECIAL PROJECTOR.

STILL ABOUT PANTELIS VOULGARIS’ “HAPPY DAY”: FILM REVIEWS, THE PLOT, FACTORS OF PRODUCTION AND THE DIRECTOR’S BIOGRAPHICAL NOTES. [Photo of the back cover].

STILL ABOUT THE FILM “MIMIKOS AND MARY”: ADVERTISING MESSAGES ABOUT THE FILM AND PHOTOS FROM VARIOUS SCENES.

PHOTOCOPIED SESSION NO. 124 FROM THE PROCEEDINGS OF THE BOARD OF DIRECTORS OF EVANGELISMOS HOSPITAL, WHICH IS ABOUT THE FIRST FILMING OF A CESAREAN IN 1912: THE FIRST SCIENTIFIC FILMING IN GREECE.

STILL ABOUT DIMITRIS GAZIADIS’ “KISS ME, MARITSA” (ΕMBRASSE-MOI MARITSA): THE PLOT AND PHOTOS