An ex-teacher by the name of Alexis Vergis agrees to give private lessons to the young son of a wealthy family. He soon realizes that the actual reason the family hired him is to help Anna, the sister...

Thalia, the daughter of a penny-pinching grocer, Pythagoras, is in love with Petros and refuses to marry the stupid Lakis, to whom her father has betrothed her. Lakis is the son of the nouveau-rich Mr...

Police ieutenant Giorgos Merkos is so overworked that he never finds time to meet the relatives of his girlfriend Anna. Instead of going over to her place, he prefers to arrest a criminal and to go to...

A young man and a girl (Dimitris Papamichail and Antigoni Valakou) work (temporarily, they claim) in a company that sells bobbins and thread. Each of them dreams of a better job and of a successful ma...

An orphan girl (Aliki Vougiouklaki) does everything she can to be hired as a secretary at the firm of a businessman (Dimitris Papamichail). When she manages to do so, she tries to win his heart and fi...

On her engagement day, a woman, Anna (Jenny Karezi), loses her fiancé (Kostas Kazakos), her father and her brother when they all go to fight against the Italians. Her family suffers a blow when the G...

A violinist, Lefteris, is constantly running around on account of his work - from the Symphonic Orchestra to the Church. One Sunday, an incident caused by the competition between two churches sends hi...

A barber (Filios Filippidis) undertakes both the housework and the care of the baby, since his wife works as a singer in nightclubs and is constantly busy. His hardships move the wife of the neighborh...

The program presents F. Truffaut's Film BED & BOARD (or DOMICILE CONJUGAL) in which Antoine cheats on Christine with a young Japanese girl, Kyoko. The light style by which this serious issue is treate...

Programme for the ATHINA Cinema. It is a flyer with the name of the cinema, film's title, "CARMEN", starring IMPERIO ARGENTINA, synopsis and rating, "Unsuitable for the underage".

The programme for the film "Mother" includes the credits and synopsis. There is a report on Pudovkin's statement that this film was his attempt to break away from Eisenstein's style and a comparison i...

Brief presentation of the movie that is designated "comedy-thriller or a thriller-comedy". "Interesting screenplay", "excellent performance" by Scot.

The programme for the screening of the film "The last engagements" first gives information from the credits and then information on the biography and career of the director as well as the titles of hi...

The programme for the film "The seventh seal" lists the credits, stresses the director's importance in the light of the "faith and infidelity of a great religious man". Accordingly, it looks into his ...

The programme for the screening of the film "Everything in order, but.." starts by giving biographical and career information on the director and then lists the titles of his films. It then goes on to...

A few words about the plot and a brief review about the work of the director who manages through a presentation of his heroine's everyday life to demonstrate the daily life of the soviet citizen witho...

Periodical publication on cinema theory and analysis. Featuring various articles on the cinema.

STILL ABOUT G. DALIANIDIS’ “SOME LIKE IT COOL”: THE CAST, FACTORS OF PRODUCTION, PLOT AND PHOTOS

Weekly publication featuring a variety of topics on the cinema. The page 97 is selected: "Billy Dove, the valley of tears of an artist". 8th Format.

GLASS PLATES WITH COLOURFUL DRAWINGS VIEWED WITH A SPECIAL PROJECTOR.

STILL ABOUT PANTELIS VOULGARIS’ “HAPPY DAY”: FILM REVIEWS, THE PLOT, FACTORS OF PRODUCTION AND THE DIRECTOR’S BIOGRAPHICAL NOTES. [Photo of the back cover].

STILL ABOUT THE FILM “MIMIKOS AND MARY”: ADVERTISING MESSAGES ABOUT THE FILM AND PHOTOS FROM VARIOUS SCENES.

PHOTOCOPIED SESSION NO. 124 FROM THE PROCEEDINGS OF THE BOARD OF DIRECTORS OF EVANGELISMOS HOSPITAL, WHICH IS ABOUT THE FIRST FILMING OF A CESAREAN IN 1912: THE FIRST SCIENTIFIC FILMING IN GREECE.

STILL ABOUT DIMITRIS GAZIADIS’ “KISS ME, MARITSA” (ΕMBRASSE-MOI MARITSA): THE PLOT AND PHOTOS