Irja von Bernstorff (second from the right), Sangay Rinchen (on the right) in "The Farmer and I" (2013-16)
"The Farmer and I" (2013-16)
The film opens with Oxford Street in London and declares that "luxury shopping" is not helping the war effort. This is contrasted with the ways in which women do help: a mother looking after her two s...
Holidaymakers setting out from Glasgow, and travelling by train and steamer down the coast to Rothesay and Ettrick Bay. Includes tracking shots from tram in Sauchiehall Street.
A demonstration on how to use a Seine net for trawling. This film was planned by the Marine Laboratory Aberdeen, as part of their research programme on the efficiency of fishing gear. "Grateful ackn...
A look at the social and economic changes in Scotland during the 1950s, after the upheaval of the war. From the restoration of Iona Abbey to the development of new industries.
The Forth and Clyde Canal's operations on its last year of use.
Hostels at Loch Ard, Inverbeg and Rowardennan, with footage of hostellers climbing Ben Lomond and the Cobbler, canoeing on Loch Lomond and enjoying a dance.
John Taylor (PlasticsEurope) erklärt die Vorzüge von Plastik
"z.B. Otto Spalt" (1987)
"Die Tarantel" (1919)
Szene mit Reinhold Schünzel (im weißen Mantel)
Friedrich Domin, Albert Lieven (v.l.n.r.)
Edith Posca, Eugen Klöpfer, Frida Richard (v.l.n.r.)
Ilse Stobrawa, Gustl Stark-Gstettenbaur (v.l.n.r.)
Daniel Krauss, Götz Burger (v.l.n.r.)
"The Farmer and I" (2013-16)
Sangay Rinchen in "The Farmer and I" (2013-16)
"The Farmer and I" (2013-16)
Irja von Bernstorff in "The Farmer and I" (2013-16)
Sangay Rinchen (on the right) in "The Farmer and I" (2013-16)
"The Farmer and I" (2013-16)
Sangay Rinchen (on the left) in "The Farmer and I" (2013-16)