Der New Yorker Musiker Robert scheint so etwas wie eine Pechsträhne zu haben: Künstlerisch steckt er in einer Schaffenskrise und materiell sieht es so finster aus, dass er sogar aus seiner Wohnung g...
Der Dokumentarfilm schildert die 25-jährige Geschichte des Internationalen Strafgerichthofs (ICC) und dessen Ziel, die schwersten Verbrechen an der Menschheit juristisch zu ahnden. Im Mittelpunkt ste...
The ruins of Babylon, concentrating on the Temple of E'Sagilo and the basalt lion statue, including some close-up views of relief carvings and mouldings. This is followed by a panorama of Baghdad, fro...
As producer, actor and filmmaker, Richard Massingham managed to combine his passion for film and medical science.
The work of the Blood Transfusion Association in the Bathgate area, and an appeal to "become a regular donor".
Hans Albers, Brigitte Horney (left to right) in "Münchhausen" (1943)
Gustav Fröhlich, Joe May (left to right) while shooting "Asphalt" (1929)
Gustav Fröhlich (left) while shooting "Asphalt" (1929)
Gustav Fröhlich (front) in "Asphalt" (1929)
Betty Amann, Gustav Fröhlich (left to right) in "Asphalt" (1929)
Albert Steinrück, Else Heller, Gustav Fröhlich (first to third from left), Betty Amann (right) in "Asphalt" (1929)
Hans Albers in "Große Freiheit Nr. 7" (1944)
Filmplakat
Natasja Juul in "Near and Elsewhere" (2018)
Maartje Pasman, Enrique Fiss in "Near and Elsewhere" (2018)
Natasja Juul in "Near and Elsewhere" (2018)
Enrique Fiss, Benny Techen (left to right) in "Near and Elsewhere" (2018)
"Near and Elsewhere" (2018)
Swetlana Alexjewitsch in "Near and Elsewhere" (2018)
Natasja Juul in "Near and Elsewhere" (2018)
Joseph Vogl in "Near and Elsewhere" (2018)