Crowds cheer the procession, which is led by Belgian Cavalry, followed by a car loaded with flowers and then King Albert and Queen Elisabeth riding in the midst of civil and military dignitaries. The ...
Three Australian officers stand with a Belgian officer as escort on the balcony of the prison where Nurse Cavell was held. Next, they stand by the plaque in the prison yard marking the place where she...
A young girl works cleaning the kitchen floor of a house. When she has finished she tosses the soap and cloth into the sink, which is full of water. The cook tells her, gently, that the soap will wast...
A camel train approaches and enters the city. A panorama of the city taken from the sea. Tiffin (compressed camel or horse fodder) being unloaded from ships lying out to sea by surf boats. The men wor...
A Royal Engineers sergeant shows how to load two carrier pigeons into a small wicker basket for transport. At the Rosyth seaplane base Felixstowe F2A flying boats and Short 184 seaplanes ride at ancho...
I. RAMC men help refugees in a street in Douai to load both themselves and their belongings into a British Army lorry. As the last one is loaded the tailboard is closed up and the people wave as the l...
Manufacture of components for Black and Decker tools. [Incomplete]
Craigbank Gardens, Edinburgh. The film has extensive footage of allotments, vegetable gardens and people tending the crops. Portree Horticultural Show also features towards the end of the film.
Presentation of Brussels by the puppets Toone and Woltje.
Shots of the "Empress of Britain" leaving Greenock for Canada and of the interior of the Parkhead steel works.
Natasja Juul in "Near and Elsewhere" (2018)
Irmin Schmidt in "Can and Me" (2022)
"The Farmer and I" (2013-16)
Christobal Farais, Rifka Lodeizen in "Messi and Maud" (2017)
"Above and Below" (2012-14)
Enrique Fiss, Benny Techen (left to right) in "Near and Elsewhere" (2018)
Dialogue list (excerpt) for "Die Privatsekretärin".
Trailer (draft) for "Liebe", handwritten.
"Ueberhaupt und so....", Der Kinematograph, 717, (1920). Polemik anlässlich einer Reichstagsdebatte, in der das Kino als Hauptdarsteller pronographischer Kunst bezeichnet wurde. Zitiert werden die Au...
Dialogue list (excerpt) for "...und abends in die Scala".