The workforce is mainly women working at benches or on production lines. They test rubber mouthpieces for leaks with a probe. They test the expiratory valves in the same manner. The corrugated tubes a...
III. A study of the inhabitants as they pick almonds, including a lady "of low caste" (according to the shotsheet) a girl and a veiled lady of high caste. It is not clear whether these are Jewish or M...
I. Columns of British companies march into the city on 18th October. They are Liverpool Irish, otherwise 8th Battalion, King's (Liverpool Regiment) of 57th (West Lancashire) Division. The men carry fl...
I. The film contrasts quotes from a German newspaper given as 'Westphalia Daily News' reporting the damage or destruction of prominent landmarks in the centre of London with film of those places taken...
I. The film opens as the Queen leaves a factory escorted by a mayor. It jumps to her inspecting Royal Marines and Royal Navy ratings drawn up at Chatham. The King is also present, in naval uniform. Th...
(Reel 1) Food, fodder and equipment are unloaded at a railhead freightyard, and put into motorised and horse-drawn vehicles for the trip up to Mount Tonale and the River Piave valley. The convoys move...
The R36 is nose-forward in its shed. Workers turn a large capstan to wind back the doors of the shed and the airship is towed out. It is clearly marked as R36 and as G-FAAF. It takes off from its laun...
The film opens with an unrelated scene of Australian troops exploding a shell or mine in a training exercise. 1st Spahi Cavalry Regiment 'charges' the camera. One of the men demonstrates steadiness by...
"Above and Below" (2012-14)
Szene aus "Here and There"
Volker Michalowski (in the middle), Gael García Bernal (on the right) in "Salt and Fire" (2015/16)
Swetlana Alexjewitsch in "Near and Elsewhere" (2018)
Sangay Rinchen, Irja von Bernstorff (both in the front) in "The Farmer and I" (2013-16)
Sangay Rinchen (on the left) in "The Farmer and I" (2013-16)
Christobal Farais, Rifka Lodeizen in "Messi and Maud" (2017)
Szene aus "Here and There"
Time report, 02 October 1958, on "The Indian Tomb".
Costume list for "Der Czardas-König (Die Emmerich-Kalman-Story)".
Bergmann, Franz. "Die Konzessionspflicht Der Kinematographentheater." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,7 (1913/1914): 153-163. Bericht über das die neu erlassene Ko...
Daily production report No. 32, 17 November 1961 on the shooting of "Auf Wiedersehn".