The regiments are as follows. The Civil Service Rifles (a battalion of the Royal Fusiliers). The London Scottish (1/14th Battalion, the London Regiment). Pipers of the Argyll and Sutherland Highlander...
Five reels of stockshots of the Western Front, with no apparent theme or linking sequence. The majority of the material for all but the final reel comes from IWM 191 BATTLE OF THE SOMME. The majority ...
Street scenes in Bethlehem, the Church of Saint Mary, the Gardens of Gethsemane, the Via Dolorosa, the Holy Sepulchre, the Valley of Kidron and (in silhouette) a tree where, according to legend, Judas...
Shots of London's famous buildings during the First World War.
Emperor Wilhelm II and empress Victoria of Germany on horses, escorted by horsemen, on their way to a parade at the Tempelhoferfeld in Berlin.
Panoramic shot over Santiago de Compostela. A crowd in the streets attends a procession followed by a parade of men with hats, women with veils, people with masks and music bands.
Szene aus "2012"
German movie poster of "Das Herz des Piraten" (1987/88)
"Elefantenherz" (2002)
Trude Berliner
German movie poster of "Die Farbe der Sehnsucht" (2014-16)
Piet Clausen, Werner Hinz, Walter Bluhm, Heidi Becker (v.l.n.r..)
Helene Weigel (rechts)
Greta Bohacek (front) in "A Pure Place" (2019)
Brief der Filmoberprüfstelle Berlin an das bayerische Innenministerium vom 17.11.1930.
Brief des bayerischen Innenministeriums mit Antrag auf Widerruf der Zulassung des Bildstreifens "Frauennot - Frauenglück" an die Filmoberprüfstelle Berlin vom 06.12.1930.
Italian screenplay (version from February 1968, excerpt) for "Kampf um Rom. 2. Teil: Der Verrat".
Internal correspondence regarding "Ein Mann muß nicht immer schön sein".
English dialogue list (excerpt) for "The Death-Ray Mirror of Doctor Mabuse".
Zensur, Oberprüfstelle O.1256, 5 Akte 1700 m. (1703 m. vor Zensur), Quelle: Jahrbuch, Jugendverbot.
Hellwig, Albert. „Müller-Sanders: Die Kinematographenzensur in Preußen. Heidelberger Dissertation 1912.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,6 (1913/1914): 144-14...