Carts pulled by horses march in Campo Grande with spectators in the stands. Occasionally we see flowers being throwed.
Maputo (formerly Lourenço Marques), Mozambique. Portraits of some of the oldest Mozambique settlers. The opening of the Old Settlers Mansion House.
The landing of excursionists in the Tagus river. Sintra (Palaces of Pena and Sintra), Casino Estoril, Lisbon (Terreiro do Paço, Rossio, Avenida da Liberdade, Jerónimos Monastery, Cais do Sodré).
The Mocidade Portuguesa ("Portuguese Youth") organization in the ceremonies of the 28th May.
Views of an attempt of aerial crossing Lisbon-Rio de Janeiro.
The arrival of the liner Niassa at the Guanabara bay, in Rio de Janeiro, in her maiden voyage of the new navigation route. Similar reception at the port of Santos in São Paulo.
Images of Oporto, its monuments and inhabitants.
The ceremonies held in Lisbon of the repatriation of remains of the former Brazilian emperors from Portugal to Brazil in 1921.
Film frame.
Film frame of Arthur Costa de Macedo's 'Homenagens aos soldados desconhecidos' ('Tribute to Unknown Soldiers'), 1921.
Film frame.
Film frame of Arthur Costa de Macedo's 'Homenagens aos soldados desconhecidos' ('Tribute to Unknown Soldiers'), 1921.
Film frame.
Film frame of Arthur Costa de Macedo's 'Homenagens aos soldados desconhecidos' ('Tribute to Unknown Soldiers'), 1921.
Film frame.
Film frame of Arthur Costa de Macedo's 'Homenagens aos soldados desconhecidos' ('Tribute to Unknown Soldiers'), 1921.
Article on the director’s position in the Portuguese film industry and on his joining the Empresa Leitão.
On the use of portable projectors for home sessions and as an aid to education.
Notes on the film productions of the daily newspaper “Diário de Notícias”.
Announcement of the foundation of Portugália Film, its goals and ambitions.
On the celebration of the 3rd anniversary of the film magazine and the programm presented at Salão Trindade.
On the installation of Empresa Leitão and the production company’s starting activities with references to its first film.
Commentary on the exhibition of the group of 12 films of the series ‘Portugal pittoresco e monumental’.
Notes on the film and its thematics.