The funeral ceremonies of Portuguese former King D. Manuel II, August 1932. The arrival of the ship carrying the funerary urn from England, its disembarkation and military ceremonies.
Images of the hospital-ship ‘Gil Eannes’ (1916-1954) in her first journey with the mission of providing health assistance to the cod fishing fleet operating in Terra Nova (Canada).
Incomplet. A film stroll through the parish of São Mamede de Infesta, in the county of Matosinhos: panoramic views and detailed presentation of its streets, population, local traditions and monuments...
Panoramic shot over Santiago de Compostela. A crowd in the streets attends a procession followed by a parade of men with hats, women with veils, people with masks and music bands.
Depiction of the effects of bombings and shots in the façades of buildings in the Largo do Rato area, in Lisbon. Unedited footage.
Unedited footage. Images of the vinification work in the region of Douro: harvesting, treading grapes in the lagar, embottlement, labelling, storing and transport on a freight train.
Unedited footage on the Presidential visit to Oporto on the occasion of the 31st January celebrations (1st attempt of a republican revolution)
Unedited footage of the city of Faro. Images of several sites: Francisco Gomes Square and the garden of Manuel Bívar, railway and dock, the Cathedral and its tower, Ria Formosa.
Film frame.
Film frame.
Film frame.
A page of Ernesto de Albuquerque's photo album.
portrait
Portrait of the film director.
film frame
Portrait.
Notes on the work of film director José Branco Gomes Barata.
Notes on the team work; set still of Fernandez Tomaz.
A letter to the periodical on the authorship of the film «Angola» (1930).
Criticism on the weaknesses of the Portuguese documentary films included by law in every cinema-shows.
On the film potential in the domain of tourism. An incentive for that type of film.
On some weaknesses of the protection law stipulating the inclusion of 100 m footage of Portuguese documentary films in commercial scéances.
Notes on the first film exhibitions in Portugal and on Portuguese early films.
Notes on the huge development of documentary film, namely in Germany.