A pickpocket acts as an inept golfer. Helpful souls become robbed. A female pickpocket turns up. The two pickpockets pick the golfers pockets. But they become disclosed. They try to escape and shoot a...
A short melodrama: the Chinese man Sang Lee takes pity on a white child (Jack). Twenty years later, Jack, now a prominent lawyer, defends his foster father in court from false accusations.
When the now-wealthy Jack sees his former lover by chance on the silver screen, he immediately goes looking for her.
A young girl works cleaning the kitchen floor of a house. When she has finished she tosses the soap and cloth into the sink, which is full of water. The cook tells her, gently, that the soap will wast...
A camel train approaches and enters the city. A panorama of the city taken from the sea. Tiffin (compressed camel or horse fodder) being unloaded from ships lying out to sea by surf boats. The men wor...
A Royal Engineers sergeant shows how to load two carrier pigeons into a small wicker basket for transport. At the Rosyth seaplane base Felixstowe F2A flying boats and Short 184 seaplanes ride at ancho...
I. RAMC men help refugees in a street in Douai to load both themselves and their belongings into a British Army lorry. As the last one is loaded the tailboard is closed up and the people wave as the l...
As producer, actor and filmmaker, Richard Massingham managed to combine his passion for film and medical science.
O. Verf.. „Aus Schweden.“ Der Kinematograph 380 (1914). Bericht über den Einsatz des Films als Werbemedium für die schwedische Armee.
Der Kampf gegen die deutschfeindliche ausländische Kinoindustrie, Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, IV,1, (1914/1915), S. 9-11. Die deutsche Filmbranche sei noch immer ...
Martin Dentler GmbH. „Die richtigen Films zur richtigen Zeit.“ Der Kinematograph, 401 (1914): 11. Werbeanzeige, die mit der Bedeutung der beworbenen Filme angesichts des Krieges wirbt.
C.Z.K.. „Presseschau.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 3/4 (1913/1914): 89-90. Der Autor zitiert mehrere Pressestimmen, die den kulturellen Wert des Films herv...