News report of the commemorations. Foreign contingents. Parade in Lisbon. Marechal Joffre. Passagem por Leiria e chegada ao Mosteiro da Batalha. Arrival at Mosteiro da Batalha passing through Leiria. ...
Military parade in Lisbon. Pupilos do Exército, former WW I troops, Navy.
31st January celebrations and military parade. 5th October military parade. Armistice in Oporto. WW I memorial.
The film shows a journey in Troms in Northern Norway, from Sjøvegan by the sea to waterfall and salmon ladder in Malangen.
The film shows a beautiful Winter's day in Nordmarka outside Oslo where people take the tram to the forest to go skiing and sledging.
The film shows a plane trip with a Handley Page plane from the airfield Gardermoen to the airfield Kjeller
A familiy is having a nice time on a summer day in the garden of an elegant villa near Oslo.
Baldevin and Simen become friends while at sea, only to go their separate ways. Many years later, Simen is married to a wealthy widow. When Baldevin arrives in town, Simen seeks to ensure his friend's...
Hammering nails into flagpole of Czech legion and ceremonial blessing of the flag (28th September 1914) in Kiev.
Ceremonial blessing of the flag (28th September 1914) of Czech legion in Kiev.
Wide shot of an office. Standing from left to right are: Dr. Šrámek (actor: František Smolík), an Austrian colonel (actor: Jaroslav Marvan), a military guard, Lieutenant Rjepkin (actor: Vladimír ...
Wide shot of an officer. Lieutenant Rjepkin (actor: Vladimír Borský) is standing on the left. Dr. (actor: František Smolík) is standing behind a desk on the right with his back to Rjepkin. An Aust...
Wide shot of a corridor. Corporal Bartoněk (actor: Jiří Vondrovič) is standing on the right with an arm in a cast and bandaged eyes. Infantryman Tlamicha (actor: Theodor Pištěk) is standing next...
First Lieutenant Liška (actor: František Kreuzmann) is lying on a hospital bed with his leg in a cast and smoking. An Austrian officer is sitting to the right of him and peeling something. In the ba...
Martin Dentler GmbH. „Die richtigen Films zur richtigen Zeit.“ Der Kinematograph, 401 (1914): 11. Werbeanzeige, die mit der Bedeutung der beworbenen Filme angesichts des Krieges wirbt.
Brepohl. "Von der Kinematographenzensur." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 1 (1913/1914): 23. Bericht über den Fall eines Kinobesitzers, der in der Zensur, sofern ...
Sellmann, Adolf. „Der Kampf um den Kino.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,5 (1913/1914): 97-100. Das Kino sei vor allen Dingen von Feinden von außen bedroht, v...
Der Arbeiter und Soldaten Rat, Lichtbildbühne, 49, (1918).
Rennert, Malwine. "Die Tote“ (Retaggio d'odio), Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, III,8, (1913 /1914), S. 203-204. Rennert sieht den Film als extrem gefährlich und mo...
Schibas, Franz. „Wie meine Schülerinnen die Filmstücke beurteilen.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 2 (1913/1914): 37-39. Schibas schildert, wie seine Schül...
Walter Weise, Filmkunst und Publikum, Der Kinematograph, 683, (1920), S. 21-22. Die beiden rezensierten Filme seien ein absoluter Publikumserfolg und sogar in der Lage, eingefleischte Kinogegner zu ü...
O. Verf.. „Englands Heer. Der englische Armee-Film.“ Der Kinematograph 374 (1914).