The men, some in uniform and others in civilian clothes, drive in a fleet of cars through central London to the cheers of the watching crowds. (King George is not shown.) According to the caption ther...
The soldiers bring the full coaltrucks out to the surface of the mine. The coal is dumped from the trucks and horse-wagons are loaded from the dump. A traction engine runs a coal-crusher. A few soldie...
The hospital is of prefabricated buildings, signposted as the "Hôpital Benevole I Bis". The film captions emphasise that all the employees are women, some of whom are seen walking in the snow outside...
The men are due to serve with the French Army. They practise a river-crossing using pontoon ferries, drill and bayonet exercises on a parade ground, digging trenches in the scrub and making a mock att...
The Legion, led by its band, marches up to the front of the cathedral at Puy-les-Volontaires for a mass. The Legion in the main square at Breuil holds a review before its leaders while a number of civ...
The Italian General Pecori and General Maistre review the Sassari Brigade of the French Army, passing between the ranks. As the review is in progress a French Spad 13 overflies the parade twice, quite...
Well behind the lines, a mass of soldiers, most probably from 123rd Division semi-posed as if waiting for transport. A senior officer is with them, possibly Lieutenant-General de Riols de Fonclare, th...
Part of the area is flooded. A marching column sets out for the front lines. Engineers knock in stakes for wire defences in the second line and fix wire to them. A relief patrol moves up in single fil...
Medium shot of nurses Tonička (actress: Truda Grosslichtová) and Mathilde (actress: Adina Mandlová) standing by a table in a room. Mathilde has a paletot over her shoulders and is staring fixedly s...
Medium close-up of Lieutenant Rjepkin (actor: Vladimír Borský) in profile and the cadet Severa (actor: Stanislav Strnad), who is lying on a hospital bed.
Medium close-up of Nurse Tonička (Truda Grosslichtová) and Corporal Bartoněk (Jiří Vondrovič) standing in a corridor. They are smiling at one another and she is touching his bandaged hand.
Medium shot of an Austrian officer and Nurse Mathilde (actress: Adina Mandlová) looking at each other. The man is smoking a cigarette. Another soldier is visible behind them. In the left background i...
Several Austrian soldiers are moving about in front of a standing train. Several of the soldiers are carrying cargo. Other soldiers are looking out of the windows and open doors of the train.
Medium shot of Toman's wife Lída (actress: Marie Rosůlková), his son Vláďa (actor: Zdeněk Záhorský), and Dr, Šrámek (actor: František Smolík), who is shaking Vláďa's hand. Vláďa is wea...
Medium shot of Lieutenant Rjepkin (actor: Vladimír Borský) in profile and nurse Mathilde (actress: Adina Mandlová).
Medium close-up of Rjepkin (actor: Vladimír Borský) sleeping on a bed and First Lieutenant Liška (actor: František Kreuzmann) in pyjamas leaning over him.
Saturn Film AG, Rasputin. Drama in 5 Akten, Der Kinematograph, 553, (1917), S. 24.
Scala-Film-Verleih GmbH, Der Hetman der Ukraine, Der Kinematograph, 581, (1918), S. 18-19. Die Anzeige geht auf den Sieg gegen Russland ein und erwähnt das Interesse des Publikums an der Geschichte d...
Lt. Ludwig Brauner, Das Kinogeschäft nach dem Kriege, Der Kinematograph, 505, (1916), S. 15-16. Prognose über das Kino nach dem Krieg. Das Krieg habe dem Kino zu einer breiten Anerkennung verholfen,...
Zensurwirrwarr !, Die Filmwelt, 12.Jg., 50, (1918), S. 12-20. Obwohl die Zensur durch Reichsgesetzgebung aufgehoben sei, würde die Zensur in Württemberg und Bayern weiterbestehen, in Berlin würden ...
Das Königliche Bild-und Filmamt und die Industrie, Der Kinematograph, 571, (1917). S. 22ff. Artikel über Verhandlungen des Bild-und Filmamtes mit Vertretern der Filmindustrie. Bufa zeige sich am Woh...
P. Max Grempe, Deutsche und feindliche Kinopolitik im Weltkriege, Der Kinematograph, 515, (1916), S. 17-19. Erötertung der verkehrten Politik Deutschlands in Bezug auf das Kino. Die hohen Lustbarkeit...
National-Film-A.G., Freiheit, Gleichheit, Brüderlichkeit !, Lichtbildbühne, 45, (1918).
Specator, Das letzte Jahr, Der Kinematograph, 472, (1916), S. 17-18. Jahresrückblick. Die deutsche Filmindustrie sei zur Großindustrie geworden. Die Aufklärungsarbeit der Wochenschauen im Ausland w...