I. SMS Prinz Regent Luitpold and Friedrich der Grosse pass camera. Medium shot of Friedrich der Grosse with pan to German battleships in line ahead. SMS Bayern and Kronprinz Wilhelm pass camera. Mediu...
The camera is fixed at a high position looking down onto Ludgate Circus as the various elements of the procession file through. Leading are Royal Marines and sailors, some of whom took part in the Zee...
(Reel 1) The Prince, wearing his naval uniform, comes on board HMS Renown at Portsmouth harbour on 14th March, shaking hands with Rear-Admiral Sir Lionel Halsey and Captain Dudley B N North. With the ...
In the introductory animation film, the figures of an Austro-Hungarian and a German soldier stand at the lower end of a see-saw spanning the Carpathians, while a high-ranking Russian officer (possibly...
After the death of Franz Joseph, Charles I of Austria was crowned Charles the IV of Hungary on December 30, 1916, in Budapest. The film is of the coronation ceremony, which took place in the Palace of...
"Reportage on what life is in the trenches on the Western Front. It questions the aim to be achieved in spite of the bloodshed and continuation of dying soldiers in the Belgian killing fields. This re...
Newsitems from all around the world.
Pathé newsitems showing a number of military subjects.
Pathé newsitems showing a number of military subjects.
There are three men in the foreground, in the middle is Tomáš Garrigue Masaryk. Behind them walk another men, woman and girl in a folk costume.
An Austrian officer controles outfit of his soldiers.
A man and policemen in the arcade.
Austrian soldiers and a group of children and civilians.
A group of Austrian soldiers. In the foreground stands Jiří Voldán (actor: Vladimír Ch. Vladimírov).
A group of soldiers. A man with the guitar is Jiří Voldán (actor: Vladimír Ch. Vladimírov)
Recruitment commission. In the foreground stands Jiří Voldán (actor: Vladimír Ch. Vladimírov).
A scene from the battlefield: barbed wire, barrier, explosion and immobile lying body.
O. Verf.. "Filmempfehlungen der Lichtbilderei GmbH M.Gladbach." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,7 (1913/1917). Die genannten Filme (Quo Vadis, Die Jungfrau von Orle...
Rennert, Malwine. „Gabriele d'Annunzio als Filmdichter.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, III, 9/10 (1913/1914): 210-213. Rennert lobt den Film über alle Maßen, w...
O. Verf.. „Ein Kinematographengesetz in Württemberg.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, III, 3/4 (1913/1914): 73. Jeder Film, der öffentlich vorgeführt werde, mü...
K.W., Kino, Krieg und Kirche, Der Kinematograph, 465, (1915), S. 15-16. Bericht über die preußische Generalsynode, in der das Kino als verderblich angegriffen wurde. Der Verfasser entgegnet, dass di...
National Film G.m.b.H. "Wir Barbaren", Der Kinematograph, 439, (1915), S. 20-22. Rezension einer Komödie, die die französische Propaganda gegen Deutschland aufgreift.
Joniak, Nikolaus: „Der Kino und die Mässigkeitsbewegung.“ Der Kinematograph 395 (1914). Das Kino sei nicht nur kein Feind der Sittlichkeit, sondern stehe sogar der Trunksucht als Quelle aller mor...
Kriegsbilder-Revuen, Der Kinematograph, 419, (1915), S. 13. Die Aufnahmen, die das Volk vom Krieg zu sehen bekomme, seien oft nicht informativ genug, weil sie aus Zensurgründen gekürzt seien. Es sei...