The 'big battle' structure of the film opens with the preparatory bombardment for the days before the attack, the Infantry marching to their final positions, the attack itself, the casualties, prisone...
The King and Queen arrive in Calais to start the visit. The King inspects war trophies at Bailleul with General Sir Herbert Plumer, then goes on to watch a tank demonstration and talk with a group of ...
A column of men from 1st Balloon Company, in the Meuse or Moselle region, march through a village. British "8-inch Naval rifles" (in fact 6-inch Mk VII guns) being fired by gunners of 27th (New York) ...
I. A posed group of crews and mechanics of 94th 'Hat in the Ring' Pursuit Squadron at 1st Pursuit Group airfield, Rembercourt, 18th October. Left to right 1st Lieutenant Edward V Rickenbacker, Major K...
(Reel 1) Text of Admiral Beatty's message to the Empire. Beatty's flag (Vice-Admiral's) is broken out, and the Grand Fleet puts to sea: US battleships of 6th Battle Squadron in line astern; medium sho...
I. Aerial medium shot of HMS Satyr (F.59) underway. Two surrendered U-boats pass beneath camera-airship, followed by Scott Class Leader, UC.III and U.160 Class (?) submarines. Medium shot, HMS Melampu...
(Reel 1) The film stresses that it shows normal RAF life and has not deliberately selected its scenes. It begins with a training camp for pilots in France. New pilots arrive and are brought from the s...
The squadron's tour takes in the principal ports of the Empire. At each port the ships of the squadron are thrown open to the locals. Vice-Admiral Sir Frederick L Field has his flag on board HMS Hood....
Still with Lyda Salmonova, Paul Wegener (third on the left)
Paul Hartmann, Henny Porten
"Der Golem, wie er in die Welt kam" (1920)
Still from "Der Diamantensucher"
Screenshot from "Hindenburgs 70. Geburtstag im Großen Hauptquartier"
Still from "Des Malers Bettelweib"
Henny Porten, Paul Hartmann
Screenshot from "Bilder aus der großen Schlacht. 5. Teil"
O. Verf.. "Kino-Kritik." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 3/4 (1913/1914): 68-69. Obwohl immer wieder Forderungen nach der Hebung des Niveaus im Kino laut würden, ...
Egon Jacobsohn, Neuheiten auf dem Berliner Filmmarkte, Der Kinematograph, 652, (1919), S. 21. "Die Welt, der große Kuppler" wird als kitschig und misslungen bewertet, ebenso "Die Postanweisung". "Ich...
F. Felix, Krieg den Kriegsdramen, Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, IV, 4/5, (1914/1915), S. 91-93. Polemik gegen die Verarbeitung der Kriegsereignisse im Film und gegen...