(Reel 1) King George V and General Sir Herbert Plumer, commanding Second Army to which the two divisions were attached, are greeted by 30th (Old Hickory) Division commander, Major-General Edward M Lew...
The film is partially completed, and shows some signs of proper editing, but scenes may break off abruptly in one reel and resume in another reel. Throughout the film numerous reporters, press photogr...
The footage, filmed on May 30, 1915, records a WWI intercession procession before the Inner City Parish Church, the Basilica, and the Parliament. The creators of the film concentrated on the famous pe...
The daughter of the farmer András Balogh, Juli, is confused by the sight of a circus, she leaves her native village secretly and enters into an engagement with the dance master at a night club in the...
(Reel 1) The film opens with unrelated scenes of the Western Front, mainly the Marne and Château-Thierry areas. Then Theodore Roosevelt beside the grave of his son Quentin. Behind-the-lines scenes of...
The film emphasises the pre-war uniqueness of Britain, rich, insular, with a strong trading position and a free democracy united under the constitutional monarchy. The only pre-war violence comes in t...
(Reel 1) Training the New Army - "cheery non-slackers" undergo PT, drill and bayonet practice, mounting and sabre drill for cavalry. (Reel 2) Manufacture of a 15-inch naval gun and firing trials. (Ree...
The wife of Lőrinc Gáthy (Mr. Wickfield in the Croatian version) dies in childbirth. A female relative offers to take care of the motherless child and the household, but Gáthy declines the offer be...
Czechoslovak volunteers on a small station in Siberia.
Czechoslovak volunteers on a small station in Siberia.
Czechoslovak volunteer on the hay wagon at the train station in Siberia.
A train with cattle arrives at the slaughterhouse in Prague.
Unloading of pigs from train at slaughterhouse in Prague.
Inhabitans of Prague on the way to reclaim food.
Food reclaim with the use of food stamps.
Controlled distribution of food.
Gedanken zur Lustbarkeitssteuer, Der Kinematograph, 694, (1920), S. 24-25. Plädoyer gegen die maßlos hohen Lustbarkeitssteuern, die Kulturschaffende in eine präkere Lage versetzen würden. Kino- un...
Hilda Blaschitz. „Tirol in Waffen (Andreas Hofer).“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,8 (1913/1914): 207-208. Blaschitz lobt den Film und hebt insbesondere hervor...
Emil Gobbers, Das Filmdrama im Zeichen der Revolution, Der Kinematograph, 652, (1919), S. 15-16. Der Film sei dazu berufen, die Ausdrucksform einer neuen Kunst für eine neue Zeit zu sein. Wenn sich d...
O. Verf.. „Krieg und Kino.“ Der Kinematograph 397 (1914): 3-4. Bericht, wie bislang der Film in Kriegen eingesetzt worden sei. Ratschläge an Kinobesitzer, wie sie sich zu verhalten hätten. Mutma...