On board of a German battleship.
A report about the celebrations for the thirtieth wedding anniversary of the Van den Bergh family.
Short reportage about seaplanes, stationed on an aircraft carrier. On the ship the seaplanes are repaired and getting ready. The seaplane is being lifted on board and takes off. Subsequently aerial sh...
Short comedy about two neighbour children from different social environments, Fritz en Mädi, during the First World War. They are bragging about their fathers who are returning from the war, and play...
Reportage about a group of soldiers on expedition in a snowy mountain landscape.
Short film in which Barbara's father is killed during a raid of the Vandals. When Barbara and the other women are threatened, she throws a box with explosives to the attackers, which causes their deat...
Comedy in which two friends, who are both lieutenants, try to find favour with Fifi, who owns a fashion boutique in a garrison town. The two friends, who are both married to a daughter of the general,...
Reportage about Austrian war ships and submarines. Images of life on board of the ship 'Tegetthof', navigation (with log and sextant), signals with flags, a torpedo boat flottilla at full speed and t...
Olga Engl, Adolf Klein, Henny Porten, Theodor Loos (from left to right)
Szene aus "Der rote Baron"
Still from "Gebrochene Schwingen"
Szene mit Henny Porten, Eduard von Winterstein (vorne), Lupu Pick (hinten, 4.v.l.)
Still with Alice Verden
Still with Colette Corder (front, in the middle)
Joe May (second from the left), Gustav Fröhlich (third from the left) on the set
Henny Porten
O. Verf.. "Kinematographische Landesreklame." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,6 (1913/1914): 150. In Italien werde der Film als Werbemittel zur Ankurbelung des Tour...
Berthold Baer, Wie lange noch ?, Der Kinematograph, 415, (1914), S. 21-22 Klage über einseitig deutschenfeindliche Kriegsberichterstattung in amerikanischen Kinos. Forderung nach deutschen Aufnahmen,...
Mit der Kamera in der Schlachtfront.“ Der Kinematograph 397 (1914): 7. Werbeanzeige, die die Bedeutung der Filmaufnahmen gerade angesichts des drohenden Krieges hervorhebt.
Hellwig, Albert. „Die Plakatzensur in Preussen.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,5 (1913/1914): 104-106. Rekapitulierung der Rechtslage zu Filmplakaten.
O. Verf.. „Mars regiert die Stunde.“ Der Kinematograph 397 (1914): 5-8. Aufruf an die Kinoindustrie, sich angesichts des Krieges in die Dienste des Vaterlandes zu stellen. Vorschlag, möglichst ak...
Hermann Häfker, Berliner Höhe, Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, IV,6, (1914/1915), S. 127-129. Das Kino sei auf einem Tiefpunkt angelangt. Kriegsfilme wie der besproc...