I. A camp for Chasseurs Alpins in hill country, possibly the Vosges area. The camp has permanent dugouts in a hillside, while 75mm guns and limbers are being camouflaged with trees and matting. The fi...
I. Two French soldiers in silhouette are rowed by gondola to St Mark's Square in Venice, with the Doges' Palace nearby and other gondolas riding at rest. The film emphasises that war has removed the g...
One of the men demonstrates how to fit on a pair of skis. The group of Chasseurs Alpins skis from one side of a valley to the other and a few members demonstrate ski-jumping over a low jump, the major...
Men of US 2nd Division move into Thiaucourt along with their transport. The interior of the town church is badly damaged and the roof destroyed. A pan from Mount Sec, with four American soldiers in th...
Some of the troops line a trench, others a sunken road. Engineers of 3rd (Marne) Division build a light bridge over the river. Transport crosses a stone bridge as the sappers continue to repair it. A ...
The town centre of Vigneulles, showing damage but cleared up, probably 13th September. Pan over Viéville-sous-les-Côtes, which is close to Hattonchâtel. German 105mm and 155mm howitzers taken at Vi...
The main square of the city, soon after its liberation showing civilians milling about but no real celebrations. Some British troops, probably 57th (West Lancashire) Division, are present, eventually ...
An actress "Britannia" draws aside a curtain over a screen, flanked by silhouettes of two British soldiers. On the screen appears a genuine scene of refugees fleeing out of Belgium in 1914, followed b...
Cinema italiano - Scena - Registi - Ritratti
Cinema italiano - Scena - Registi - Ritratti
Cinema italiano - Scena - Registi - Ritratti
Cinema italiano - Scena - Set - Backstage - Registi - Ritratti
Cinema italiano - Scena - Set - Backstage - Registi - Ritratti
Cinema italiano - Scena - Set - Backstage - Registi - Ritratti
Cinema italiano - Scena - Set - Backstage - Registi - Ritratti
Cinema italiano - Scena - Set - Backstage - Registi - Ritratti
Vertrag CCC-Film
Blaschitz, Hilda. "Zum Richard-Wagner-Film." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,2 (1913/1914): 45-46. Blaschitz freut sich darüber, dass der Film "Richard Wagner" in ...
O.Th. Stein, Ausländerei im Film, Film und Lichtbild, 4, (1914), S. 50-52. Der Artikel beklagt die herausragende Stellung französischer Firmen, auch bei der Erstellung von Aufnahmen, die deutsche Na...
Walter Thielemann, Der Film 1917, Der Kinematograph, 573, (1917), S. 12ff. Jahresrückblick. Positiv hervorgehoben wird die immer breitere Anerkennung, die dem Kino zuteil werde, da der immer mehr sei...
R. Genenncher, Der Film als Agitationsmittel, Der Kinematograph, 628, (1919), S. 7-8. Der Gebrauch des Films zur Propagierung politischer Ansichten sei an und für sich eine Vergewaltigung der Kunst. ...
Der soziale Film, Der Kinematograph, 630, (1919), S. 14. Rezension zu "Mutter Erde" von Johannes Gaulke und Heinrich Ilgenstein.
Jean Th. Lommen, Film- und Kinoschund, Der Kinematograph, 690/91, (1920), S. 35-41. Die Presse äußere sich vor allem negativ über den Film. Die Kritik der Kinogegner richte sich vor allem gegen Kri...
Der ausländische Film in Deutschland, Der Kinematograph, 627, (1919), S. 7-8. Prognose, dass zwar der Anteil ausländischer Filme in Deutschland zwangsläufig wieder höher werde, aber nie wieder ein...