On the 1600th anniversary of the adoption of the Milan edict of Emperor Constantine (born in Nis) and the 35th anniversary of the liberation of Nis from the Turkish rule, the Bishop of Nis, Dositej,...
(Reel 1) Material from various phases of the Somme offensive without regard for logical or chronological continuity. The film opens with the unloading of supply trains, and soldiers on the march to th...
(Reel 1) Off the British coast, U-boat 32 attacks merchant ships. The German captain, Stackmeyer, is saluted by his Admiral, who warns that the blockade of Britain will be tightened; later, the U-boat...
I. The first part shows 1 Squadron Australian Flying Corps in Palestine. (Reel 1) The squadron prepares for a patrol in its Martinsyde Elephants, Bristol F2B Fighters, RE8s and BE2s. The camera is in ...
The visit was organised by the Birmingham and District Professions and General Trades Fund for the Wounded. Outside Queen's College, Birmingham, Major-General Higgins (?) inspects the Americans who pa...
I. The film is outspoken, "The evidence - both documentary and otherwise - is now ample to prove that Germany forced this great and terrible War upon humanity to secure for herself the domination of t...
The film uses actuality, graphics and animation to make the contrast between production in 1914 and 1917. (Reel 1) Factories run by the Army Training School for injured soldiers, including one run by ...
The camera is fixed at a high position looking down onto Ludgate Circus as the various elements of the procession file through. Leading are Royal Marines and sailors, some of whom took part in the Zee...
Cinema italiano - Scena - Fascismo
Cinema italiano - Cinema muto - Scena - Bambini
R. Genenncher, Der Film als Agitationsmittel, Der Kinematograph, 628, (1919), S. 7-8. Der Gebrauch des Films zur Propagierung politischer Ansichten sei an und für sich eine Vergewaltigung der Kunst. ...
Walter Thielemann, Der Film 1917, Der Kinematograph, 573, (1917), S. 12ff. Jahresrückblick. Positiv hervorgehoben wird die immer breitere Anerkennung, die dem Kino zuteil werde, da der immer mehr sei...
Der soziale Film, Der Kinematograph, 630, (1919), S. 14. Rezension zu "Mutter Erde" von Johannes Gaulke und Heinrich Ilgenstein.
Vertrag CCC-Film
Jean Th. Lommen, Film- und Kinoschund, Der Kinematograph, 690/91, (1920), S. 35-41. Die Presse äußere sich vor allem negativ über den Film. Die Kritik der Kinogegner richte sich vor allem gegen Kri...
O.Th. Stein, Ausländerei im Film, Film und Lichtbild, 4, (1914), S. 50-52. Der Artikel beklagt die herausragende Stellung französischer Firmen, auch bei der Erstellung von Aufnahmen, die deutsche Na...
Blaschitz, Hilda. "Zum Richard-Wagner-Film." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,2 (1913/1914): 45-46. Blaschitz freut sich darüber, dass der Film "Richard Wagner" in ...
Der ausländische Film in Deutschland, Der Kinematograph, 627, (1919), S. 7-8. Prognose, dass zwar der Anteil ausländischer Filme in Deutschland zwangsläufig wieder höher werde, aber nie wieder ein...