The aircraft takes off from the flight deck, after which deck officers check the wind's speed relative to the ship. Most of the film shows the pilot's point of view. He overflies the carrier once, loo...
The 20th anniversary of pioneer palace in Kaunas. Pioneers bring the flag of pioneer palace in. Speeches of Vice President of the Executive Committee of Kaunas Narkevičiūtė, Director of the pioneer...
Documentary about the life of King Albert I of Belgium. The film is entirely composed of archival footage.
The story about the acquaintance of the film author with the tireless 91-year-old Zivojin Lazic and his patriotic campaigns on the battlefields throughout Yugoslavia. This time, grandpa Zivojin headed...
We know that this particular footage was taken by S. Leon, a Gaumont representative, who came from Egypt to Greece in 1906. He settled down in Athens, opened a photography shop and cinema, where, on a...
The film producer Alexis Rempeskes, on account of his profession, is always surrounded by beautiful women, with whom he often has affairs. His fiancée Rena doesn’t want to believe that he is cheati...
Four officers round a planning table decide on the offensive. A regimental colonel receives his orders outside his dugout. The bombardment starts, from rifle grenades, 58mm Crapouillot mortars, 105mm ...
Troops build a corduroy road to prepare for the advance over broken ground. A galloper rides up to a field battery with fire orders and a map. Transport on the move up a road. The attack on 14th Octob...
Cinema italiano - Scena - Persone
Cinema italiano - Scena - Persone
Cinema italiano - Scena - Persone
Cinema italiano - Scena - Persone
Cinema italiano - Scena - Persone - Fascismo
Cinema italiano - Scena - Persone - Fascismo
Cinema italiano - Scena - Persone - Fascismo
Cinema italiano - Scena - Persone - Fascismo
R. Genenncher, Der Film als Agitationsmittel, Der Kinematograph, 628, (1919), S. 7-8. Der Gebrauch des Films zur Propagierung politischer Ansichten sei an und für sich eine Vergewaltigung der Kunst. ...
Walter Thielemann, Der Film 1917, Der Kinematograph, 573, (1917), S. 12ff. Jahresrückblick. Positiv hervorgehoben wird die immer breitere Anerkennung, die dem Kino zuteil werde, da der immer mehr sei...
Der soziale Film, Der Kinematograph, 630, (1919), S. 14. Rezension zu "Mutter Erde" von Johannes Gaulke und Heinrich Ilgenstein.
Vertrag CCC-Film
Jean Th. Lommen, Film- und Kinoschund, Der Kinematograph, 690/91, (1920), S. 35-41. Die Presse äußere sich vor allem negativ über den Film. Die Kritik der Kinogegner richte sich vor allem gegen Kri...
O.Th. Stein, Ausländerei im Film, Film und Lichtbild, 4, (1914), S. 50-52. Der Artikel beklagt die herausragende Stellung französischer Firmen, auch bei der Erstellung von Aufnahmen, die deutsche Na...
Blaschitz, Hilda. "Zum Richard-Wagner-Film." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,2 (1913/1914): 45-46. Blaschitz freut sich darüber, dass der Film "Richard Wagner" in ...
Der ausländische Film in Deutschland, Der Kinematograph, 627, (1919), S. 7-8. Prognose, dass zwar der Anteil ausländischer Filme in Deutschland zwangsläufig wieder höher werde, aber nie wieder ein...