I. (Reel 1) The mission visited Brazil, Uruguay, Ecuador and Argentina. Accompanying Sir Maurice (with white beard) were Lieutenant-General Sir Charles Baxter, Mr Follett Holt, Mr T H Lyons, Mr Alan K...
I. The first main theme is civilian recruits volunteering for the ASC outside the Central Recruiting Office in Whitehall, London. They are marched to the railway station. Arriving at a suburban statio...
The archbishop and dignitaries leave the cathedral after the mass, and go into the cemetery where the archbishop pronounces a benediction over the graves. Everyone then leaves.A pan over the positions...
The general meets the Polish officers. He joins in a mass with the Legion, inspects the soldiers, talks to a few of them and presents decorations to members of the Legion who still survive from Bayonn...
A French motor supply convoy passes through the customs posts at the Franco-Italian frontier in the mountains, and drives on through the centre of Turin. A Chasseur battalion with its pack mules march...
The hospital is of prefabricated buildings, signposted as the "Hôpital Benevole I Bis". The film captions emphasise that all the employees are women, some of whom are seen walking in the snow outside...
I. (Reel 1) Anglo-American boxing tournament organised by the Grand Fleet. Panning medium shot across crowds of ratings assembled on quayside around raised boxing ring - two men are fighting. US flags...
The day is wet and blustery. Lord Weir walks with a senior RAF officer as an escort past the waiting crowd of civilians and stands at the saluting base on Saint Leonards' sea front in Sea Road, opposi...
Bjarne Mädel (front left) in "Stromberg - Der Film" (2013/14)
Marc Hosemann, Rolf Becker, Christine Schorn, Laura Tonke (left to right) in "Zwei im falschen Film" (2017)
Henriette Morawe (third from the right) in "Wendy - Der Film" (2016/17)
Szene mit John Barron (Mitte)
"Der illegale Film" (2018)
Sissy Kelling, Frank Meyer-Brockmann
Szene mit Hans Söhnker, Hildegard Knef, Fritz Odemar, Willy Fritsch (v.l.n.r.)
Christoph Maria Herbst in "Stromberg - Der Film" (2013/14)
Vertrag CCC-Film
Jean Th. Lommen, Film- und Kinoschund, Der Kinematograph, 690/91, (1920), S. 35-41. Die Presse äußere sich vor allem negativ über den Film. Die Kritik der Kinogegner richte sich vor allem gegen Kri...
Der soziale Film, Der Kinematograph, 630, (1919), S. 14. Rezension zu "Mutter Erde" von Johannes Gaulke und Heinrich Ilgenstein.
R. Genenncher, Der Film als Agitationsmittel, Der Kinematograph, 628, (1919), S. 7-8. Der Gebrauch des Films zur Propagierung politischer Ansichten sei an und für sich eine Vergewaltigung der Kunst. ...
Walter Thielemann, Der Film 1917, Der Kinematograph, 573, (1917), S. 12ff. Jahresrückblick. Positiv hervorgehoben wird die immer breitere Anerkennung, die dem Kino zuteil werde, da der immer mehr sei...
O.Th. Stein, Ausländerei im Film, Film und Lichtbild, 4, (1914), S. 50-52. Der Artikel beklagt die herausragende Stellung französischer Firmen, auch bei der Erstellung von Aufnahmen, die deutsche Na...
Blaschitz, Hilda. "Zum Richard-Wagner-Film." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,2 (1913/1914): 45-46. Blaschitz freut sich darüber, dass der Film "Richard Wagner" in ...
Memo on filmmaterial (negative film) for "Liebe ohne Illusion".