View of Colares and its region. The manufacture of Colares’ wine. Adraga beach. Maçãs beach. The Maçãs beach tram. Azenhas do Mar.
Documentary film on the Works and daily life in Lisbon Harbour: transit of passengers, ships, cargo.
The labor of sardine: fishermen at sea, patching of the fishing nets, casting and drawing of the nets.
The President of the Republic Manuel de Arriaga and his delegation walk through the wharf of Cais do Arsenal. Images of the british RMS Durham Castle ship transporting troops to Mozambique.
The visit of the President of the Republic to the city council of Lisbon: arrival in carriage, a parade of a unit of infantry force in colonial campaign outfit.
Train arrival to Sintra’s station. Views of the village: palaces and main buildings.
Views of the city of Guimarães. Upon today’s knowledge, only the image (incomplete) subsists.
Film frame of Arthur Costa de Macedo's 'Homenagens aos soldados desconhecidos' ('Tribute to Unknown Soldiers'), 1921.
Film frame.
Film frame of Arthur Costa de Macedo's 'Homenagens aos soldados desconhecidos' ('Tribute to Unknown Soldiers'), 1921.
Film poster of the first public screening of films directed by Aurélio da Paz dos Reis.
Film frame
Silvino Santos filming the Teotonio fall for the film commissioned by J. G. de Araujo from Manaus.
Film frame
Film review.
A letter from Leitão de Barros on the periodical’s editorial about the poor qualities of Portuguese documentary films.
Notes on the sound newsreels. Emphasis on the presence in Portugal of Paramount operators.
Article defending the adoption of measures to foster the Portuguese film productions.
Portuguese film operator, Manuel Maria da Costa Veiga, remembers the first years of film exhibition in Portugal.
Weekly publication of cinematographic art.
Notes on the cinematographic work of Aníbal Contreiras and César de Sá.
Commentary on the scientific films’ enormous interest, namely those using chronophotography.