Details of the exterior architecture of the Jerónimos Monastery, in Lisbon.
Incomplet. The visit of Carmona to Oporto (military parade and night illuminations); Vila Nova de Gaia; opening events: the Leixões’ Port, the railway line Senhora da Hora-Trofa.
Investiture of General Carmona as President of the Republic and several events with his presence, such as the military parade in the 5th October 1932, official visits and aspects of his intimate life.
Images of Huíla Plateau, Angola: the Railway of Namibe (formerly Moçâmedes); Bibala (formerly Vila Arriaga); Lubango (formerly Sá da Bandeira); Ruacaná falls in the Cunene River. Muhilla. Native ...
Documentary film on the colonial exhibition held in 1934 in Oporto. Images of the participants, pavilions, gardens, leisure areas, folk parades and of the most visited commercial stands.
Unedited footage. Views from the parish of Buarcos in Figueira da Foz, including the beach, mother church and the Tower of Redondos' (Castle) ruins. Officials attend a cerimony.
Incomplet. Unedited footage. Views of Beja: firemen, sport events, commerce.
In Trás-os-Montes circuit, spectators attend by the side of the road the passage of several cars in competition.
Film frame of Arthur Costa de Macedo's 'Homenagens aos soldados desconhecidos' ('Tribute to Unknown Soldiers'), 1921.
Film frame.
Film frame of Arthur Costa de Macedo's 'Homenagens aos soldados desconhecidos' ('Tribute to Unknown Soldiers'), 1921.
Film poster of the first public screening of films directed by Aurélio da Paz dos Reis.
Film frame
Silvino Santos filming the Teotonio fall for the film commissioned by J. G. de Araujo from Manaus.
Film frame
Film review.
A letter from Leitão de Barros on the periodical’s editorial about the poor qualities of Portuguese documentary films.
Notes on the sound newsreels. Emphasis on the presence in Portugal of Paramount operators.
Article defending the adoption of measures to foster the Portuguese film productions.
Portuguese film operator, Manuel Maria da Costa Veiga, remembers the first years of film exhibition in Portugal.
Weekly publication of cinematographic art.
Notes on the cinematographic work of Aníbal Contreiras and César de Sá.
Commentary on the scientific films’ enormous interest, namely those using chronophotography.