Images of a Portuguese event in the “Exposition Internationale des Arts et Techniques dans la Vie Moderne”, the Paris Exposition of 1937 : the guests’ arrival, ball, song-performances by Luís P...
Views of the social event (a garden-party in Estoril).
Macao: Praia Grande Bay, main streets, rickshaws, public buildings and the “Loyal Senate”, local games, gardens and Grotto of Camoens, Interior Port.
Film on potato harvesting: men and women sow and pick potatoes with the help of horses (plough) and mechanical instruments. Potatoes production costs.
Incomplet. Depiction of the construction of wooden vessels in master builder Manuel Maria Mónica’s dockyards, in Ílhavo.
Views of the Mafra Convent. Interiores: statues, bas-reliefs, objects. Room decorated with deer heads.
Algarve: a succession of travelling shots along roads flanked by almond trees in bloom.
The exteriors of the studios of the Oporto-based film company, Invicta Film.
Film frame
Film frame of Arthur Costa de Macedo's 'Homenagens aos soldados desconhecidos' ('Tribute to Unknown Soldiers'), 1921.
film frame
portrait
Film frame
portrait
Film frame
Film review.
A letter from Leitão de Barros on the periodical’s editorial about the poor qualities of Portuguese documentary films.
Notes on the sound newsreels. Emphasis on the presence in Portugal of Paramount operators.
Article defending the adoption of measures to foster the Portuguese film productions.
Portuguese film operator, Manuel Maria da Costa Veiga, remembers the first years of film exhibition in Portugal.
Weekly publication of cinematographic art.
Notes on the cinematographic work of Aníbal Contreiras and César de Sá.
Commentary on the scientific films’ enormous interest, namely those using chronophotography.