Film presenting touristic spots of Évora, in Alentejo: Giraldo Square, Cathedral, Roman Temple (Temple of Diana), São Brás Chapel, São Francisco Church and Church of Nossa Senhora da Graça.
The Hospital-Colónia de Rovisco Pais and its official inauguration, in the presence of the Ministers of Internal Affairs, Public Works and of Prof. Dr. Bissaya Barreto.
Overview of olive harvesting and the preparing of olive oil production. The roman ruins of Conímbriga. Alentejo. Workers migration.
Carts pulled by horses march in Campo Grande with spectators in the stands. Occasionally we see flowers being throwed.
Maputo (formerly Lourenço Marques), Mozambique. Portraits of some of the oldest Mozambique settlers. The opening of the Old Settlers Mansion House.
The landing of excursionists in the Tagus river. Sintra (Palaces of Pena and Sintra), Casino Estoril, Lisbon (Terreiro do Paço, Rossio, Avenida da Liberdade, Jerónimos Monastery, Cais do Sodré).
The Mocidade Portuguesa ("Portuguese Youth") organization in the ceremonies of the 28th May.
Views of an attempt of aerial crossing Lisbon-Rio de Janeiro.
film frame.
Film frame.
Film frame of Arthur Costa de Macedo's 'Homenagens aos soldados desconhecidos' ('Tribute to Unknown Soldiers'), 1921.
Film frame.
Film frame of Arthur Costa de Macedo's 'Homenagens aos soldados desconhecidos' ('Tribute to Unknown Soldiers'), 1921.
Film frame.
Film frame of Arthur Costa de Macedo's 'Homenagens aos soldados desconhecidos' ('Tribute to Unknown Soldiers'), 1921.
Film frame.
Notes on film’s potential in depicting reality with emphasis on some reels on WWI.
Commentary on the historical value of newsreels in terms of search and reconstructing of events.
Notes on the documentary films depicting submarine life, referring some technologies used.
Report on the departure of Augusto Claro to Africa and the reasons behind this departure.
Report on the release of the film.
Film-programme of the session presenting the documentary film.
Film-programme of the session presenting the documentary film.
Programme adverstising the 1908’s session of the film 'A grande caçada no Gerês' (Fournier, 1908).