The arrival of the liner Niassa at the Guanabara bay, in Rio de Janeiro, in her maiden voyage of the new navigation route. Similar reception at the port of Santos in São Paulo.
Documentary film depicting the agriculture and industrial works in Guinea: peanuts cultivation, cattle, farming, cotton harvesting and weaving, rice planting, sugarcane plantation and distillation.
A benefaction party at Sintra's Casino in the Easter Sunday, sponsored by Sintra's Tourism Society.
Procession of Senhor dos Passos; São Martinho church; São Pedro de Sintra’s street market.
The President and members of the government visit Barreiro – views of the village and of CUF’s plants.
Views of Alpiarça, Ribatejo. Vintage and grape industry.
The audience exit from a show in Teatro República. Images of maestro Pedro Blanco.
The ceremonies of the 11th anniversary of the 28th May. Parade in Lisbon in the presence of the high-level officials.
film frame.
Film frame.
Film frame of Arthur Costa de Macedo's 'Homenagens aos soldados desconhecidos' ('Tribute to Unknown Soldiers'), 1921.
Film frame.
Film frame of Arthur Costa de Macedo's 'Homenagens aos soldados desconhecidos' ('Tribute to Unknown Soldiers'), 1921.
Film frame.
Film frame of Arthur Costa de Macedo's 'Homenagens aos soldados desconhecidos' ('Tribute to Unknown Soldiers'), 1921.
Film frame.
Film review.
A letter from Leitão de Barros on the periodical’s editorial about the poor qualities of Portuguese documentary films.
Notes on the sound newsreels. Emphasis on the presence in Portugal of Paramount operators.
Article defending the adoption of measures to foster the Portuguese film productions.
Portuguese film operator, Manuel Maria da Costa Veiga, remembers the first years of film exhibition in Portugal.
Weekly publication of cinematographic art.
Notes on the cinematographic work of Aníbal Contreiras and César de Sá.
Commentary on the scientific films’ enormous interest, namely those using chronophotography.