Episodes of daily life in the region of Beira Baixa, its monuments and industries. Views of Sabugal, Caria and Quadrazais. Images of the bottling of Caria’s Water and of a wild boar hunting.
Incomplet. The film follows the arrival in Lisbon of a UFA delegation to shoot some of the scenes of Estupefacientes/Der Weisse Damon (Kurt Gerron, 1932) and its french version (Stupéfiants).
A film about chestnut groves. Images of chestnut harvesting and processing, chestnut roasters and street sale.
Views of Estoril – casino and garden, villas, hotels and palaces, beach, train station, tennis court.
Launching of the aerial squadron initiating the cruise to the African colonies from the Aerodrome of Amadora.
Footage of several fire drills.
Compilation of films produced in 1903: the Royal Majesties assist the opening of the Afonso de Albuquerque’s Memorial; at a Procession; in Batalha’s Monastery.
Aviation exhibition.
The exteriors of the studios of the Oporto-based film company, Invicta Film.
Film frame
Film frame of Arthur Costa de Macedo's 'Homenagens aos soldados desconhecidos' ('Tribute to Unknown Soldiers'), 1921.
film frame
portrait
Film frame
portrait
Film frame
Film review.
A letter from Leitão de Barros on the periodical’s editorial about the poor qualities of Portuguese documentary films.
Notes on the sound newsreels. Emphasis on the presence in Portugal of Paramount operators.
Article defending the adoption of measures to foster the Portuguese film productions.
Portuguese film operator, Manuel Maria da Costa Veiga, remembers the first years of film exhibition in Portugal.
Weekly publication of cinematographic art.
Notes on the cinematographic work of Aníbal Contreiras and César de Sá.
Commentary on the scientific films’ enormous interest, namely those using chronophotography.