Amateur film of activities based around Craigie Street Police Office, headquarters of the Southern Division in Glasgow, towards the end of the war.
Amateur footage of the main sights and buildings in the centre of Ayr, and shots of Alloway.
Amateur footage of a journey down the Clyde by steamer to Rothesay.
Amateur footage of delegates attending a National Union of Townswomen's Guilds conference in the Royal Albert Hall in London.
Amateur footage of a residential drama course at Inverclyde House, Largs.
Amateur footage of Townswomen's Guild events, including a coach trip to the Borders, music and theatrical productions and a fashion show.
Amateur footage of a show of wedding presents and a wedding reception.
Amateur home movie footage of family events, including home visits, trips to the seaside and riding stables.
Maggie Peren
Christobal Farais (second from left), Rifka Lodeizen in "Messi and Maud" (2017)
"Messi and Maud" (2017)
Rifka Lodeizen, Christobal Farais in "Messi and Maud" (2017)
Szene aus "Losers and Winners"
Ken Duken, Hinnerk Schönemann (v.l.n.r.)
"The Farmer and I" (2013-16)
Veronica Ferres in "Salt and Fire" (2015/16)
P.l., Kinematographische Kriegsberichterstattung, Erste Internationale Filmzeitung, 9.Jg.,Nr.22, (1915), S. 27. Die filmischen Kriegsneuheiten seien anfangs sehr begeistert aufgenommen worden, würden...
Klage der Lichtspieltheaterbesitzerin Farr in Offenburg und der Präsens-Film GmbH in Berlin gegen die Staatsverwaltungsbehörde - Bezirksamt Offenburg - betreffend der polizeilichen Verfügungen. Urt...
Daily production report No. 26, 30 May 1964 on the shooting of "Die Todesstrahlen des Dr. Mabuse".
Letter from CCC to Fernmeldezeugamt (Telecommunications supply office) Berlin-Schöneberg, February, 14 1955, regarding the loan of material for decoration for "Liebe ohne Illusion".
Treatment review for "Die Frühreifen".
Daily production report No. 4, 21 November 1959 on the shooting of "Herrin der Welt (Teil I)".
Deutsche Lichtbild Gesellschaft e.V., Die Arbeit unserer Heimarmee, Der Kinematograph, 566, (1917), S. 11.