The people of Lochgelly at work and play, with footage of wash day and playing golf and bowls.
A record of the renovation work on the Bellhaven cafe, Wishaw, Lanarkshire, between 1948 to 1955; shows the work of masons, joiners, glaziers and the Cocozza family on the new Cafe, and the interest o...
An impressionistic account of the attractions that Aberdeen and Deeside offer the summer visitor.
Crowning Ceremony at Newmills, Torryburn and Crombie Gala Day.
Footage of sand racing, and coverage of the first post-war car hill climb race held at Rest and Be Thankful, organised by the Royal Scottish Automobile Club, St Andrews.
One of a series of 20 films made for Babcock and Wilcox (Steam) Ltd. between 1954 and 1961. Scenes of work and recreation for members and friends of the Babcock and Wilcox family. [See also refs. 15...
One of a series of 20 films made for Babcock and Wilcox (Steam) Ltd. between 1954 and 1961. Featuring their Cyclone furnace for firing coal at work; the Renfrew staff association magazine going to pre...
One of a series of 20 films made for Babcock and Wilcox (Steam) Ltd. between 1954 and 1961. The 1957 Industrial Fair and Exhibition in Sydney, Australia where Babcock and Wilcox Australion Co. had a ...
Michael Breitsprecher, Heinrich Schafmeister, Herbert Knaup, Hansa Czypionka, Werner Karle jun. (left to right) in "Die Sieger" (1994)
"Narren" (2019)
Still from "Die Thomaner"
Onur Saylak
Manuel Steitz
Szene mit Til Schweiger, Jasmin Gerat
Paraschiva Dragus in "alles inklusive" (2013/14)
Filmplakat
O. Verf.. „Der Kinematograph im Dienste des Heeres.“ Der Kinematograph 401 (1914): 3-4. Artikel über die Möglichkeiten, Filmtechnik militärisch nutzbar zu machen. Der Film sei nicht nur zu Zwec...
Daily production report No. 8, 19 October 1961 on the shooting "Auf Wiedersehn".
Synopsis of "Liebe" (Working title: "Vor Rehen wird gewarnt").
Daily production report No. 26, 18 May 1956 on the shooting of "Der erste Frühlingstag".
Hansa Filverleih GmbH, Luftkämpfe. Ein Tag bei einer Jagdstaffel im Westen, Der Kinematograph, 558, (1917), S. 19-21.