In 1968 Irmin Schmidt and Holger Czukay founded the band Can in Cologne, which cultivated an avant-garde style somewhere between free jazz and funk, krautrock and psychedelic rock, and also experiment...
Der New Yorker Musiker Robert scheint so etwas wie eine Pechsträhne zu haben: Künstlerisch steckt er in einer Schaffenskrise und materiell sieht es so finster aus, dass er sogar aus seiner Wohnung g...
The island of Iona is glimpsed in summer and winter, through the lambing and harvest seasons, from sunrise to sunset.
Construction work on Iona Abbey during the years 1938-1951, and the ceremony to mark the completion of a rock garden by community campers in 1952.
The work of the Blood Transfusion Association in the Bathgate area, and an appeal to "become a regular donor".
Amateur footage of a visit by steamer to Iona, Mull, Oban and Inveraray - also brief scenes of pony rides on Ardrossan beach.
Mr. Anestis, an old coachman, doesn’t want to change professions, even though cars now rule the road. He lives together with an orphan girl, Annoula, who was the beloved of a boy named Nikos, who ha...
Trip from Oban to Staffa and Iona, visiting the tourist sites. [Accompanied by voiceover and classical music]
A trip to Ireland, including County Wicklow and Dublin, a steamer trip to Iona and Staffa, and a Gala Day procession in Crieff.
Amateur footage showing aspects of life on Iona during the early 1930s. Includes holiday footage showing a family enjoying swimming and sunbathing with friends.
Amateur footage shot around Iona and possibly Outer Hebridean islands c1920s, featuring many beach/sea scenes and notably, a puffer being loaded with cargo [possibly peat/coal?] from horse drawn carts...
Natasja Juul in "Near and Elsewhere" (2018)
Irmin Schmidt in "Can and Me" (2022)
"The Farmer and I" (2013-16)
Christobal Farais, Rifka Lodeizen in "Messi and Maud" (2017)
Volker Michalowski (in the middle), Gael García Bernal (on the right) in "Salt and Fire" (2015/16)
Dokumentarischer Film-Essay, der sich aus unterschiedlichen Perspektiven der Frage nähert, wie die Zukunft der Menschheit aussehen könnte. Dabei geht es nicht zuletzt um die Frage, welche Hoffnungen...
Swetlana Alexjewitsch in "Near and Elsewhere" (2018)
Sangay Rinchen, Irja von Bernstorff (both in the front) in "The Farmer and I" (2013-16)
Sangay Rinchen (on the left) in "The Farmer and I" (2013-16)
Maartje Pasman, Enrique Fiss in "Near and Elsewhere" (2018)
Szene aus "Losers and Winners"
Ken Duken, Hinnerk Schönemann (v.l.n.r.)