Giorgis, who is the only son of Manolis Bournovas, the chief shepherd of a mountain village, is also the bridegroom that every young woman in the village dreams of. However, he is head over heels in l...

Beautiful orphan Agni (Aliki Vougiouklaki) lives with her young brother Petrakis (Giannakis Kalatzopoulos). Their only source of income comes from the little grocery store that their parents left them...

This is a composite, three-part film comprising three independent stories with a common theme: Greek behavior when placed under foreign yoke. The first part, entitled “The Clock”, is a comedy se...

A blundering provincial (Thanasis Vengos) comes to Athens and does any job he is offered, without, however, being able to settle in one job because of his mentality and his naiveté. In the end, he ev...

A poor girl (Gkelly Mavropoulou), without a family, finds, in a rich young man, (Andreas Barkoulis) shelter from the difficulties of life. She decides to marry a wealthy engineer (Lampros Konstantaras...

1868, in the plains of Thessaly. Thanasis Vardas is a fine upstanding man who is pursued by a gang of Turkish Albanians and is forced to abandon his five-year-old son Giorgis in a monastery in Meteora...

A hale and hearty fifty-year-old, Ntinos Diamantis (Lampros Konstantaras), lives with his sister and pursues every attractive woman he encounters. When he meets twenty-year-old Korina (Nora Valsami) a...

A provincial man (Alkis Giannakas) gets mixed up with a criminal (Stavros Xenidis) and starts working for him. He gets entangles in a case of theft and blackmailing, which results in his death.

The introductory remarks on Czech Cinema refer to the following: the first steps in Czech and Slovakian cinema, names of studios, directors and titles of films, the Festival of Karlovy Vary, the Worke...

Critique presentation of the film with several references to specific scenes, but also to the way that Hitchcock employs to keep the suspense and to fabricate "the irresistible sex appeal of his heroi...

The years between the war and an old-fashioned atmosphere rendered by Fassbinder in collaboration with Stoppard, based on a novel by Nabokov. The critical review argues that Fassbinder reaches a “le...

The programme describes Kurosawa as a "moralist" who again gives his attention to the struggle between the good and bad, but seen from a "comic perspective, so that he can defy it". The famed director...

The presentation begins by referral to the attempt of the Film Archive to restore the film. It continues with the plot of the film – the heroic resistance of the Greeks against the German and Itali...

The programme for the screening of the film "Diary of a Country Priest", after details from the credits, mentions: "Women of the Bois de Boulogne” Racine, Georges Bernanos, the amateur actors, the o...

Credits (with a note that the film is based on Pierre La Mure's work). It says in the programme that the director's love for painting and the interesting thematic content of Pierre La Mure's book on ...

It presents elements of the scenario, based on The Abyss by Gorky, as well as Kurosawa’s cinematic technique of using multiple cameras to capture the same moment from different angles. The film was...

Still about Frida Liappas' film: "A Quiet Death" which includes a summary of the film, the cast and factors of production.

THE ATHENS FILM CLUB PROGRAM ABOUT GIORGOS TZAVELLAS' "APPLAUSE" (1943). A FEW WORDS ABOUT THE FILM.

LICENSE GRANTED BY THE PRESIDENCY TO THE GOVERNMENT IN 1964 FOR THE RELEASE OF THE FILM “I MET A MURDERER”, WHICH IS RATED UNSUITABLE FOR PEOPLE UNDER 18. HANDWRITTEN DOCUMENT.

STILL ABOUT G. DALIANIDIS’ “MERMAIDS AND TOUGH GUYS” (LES PERLES GREQUES): THE CAST, FACTORS OF PRODUCTION, PLOT AND PHOTOS

Periodical publication on cinema theory and analysis. Featuring various articles on the cinema.

Weekly publication featuring a variety of topics on the cinema. Page 481 is selected: "The greek cinematography". 8th FORMAT

GLASS PLATES WITH COLOURFUL DRAWINGS VIEWED WITH A SPECIAL PROJECTOR.

Weekly publication featuring a variety of topics on cinema. Page 549 is selected: "Cinematographic promenades with the cameraman D. Meravidin". 8th FORMAT