The regiments are as follows. The Civil Service Rifles (a battalion of the Royal Fusiliers). The London Scottish (1/14th Battalion, the London Regiment). Pipers of the Argyll and Sutherland Highlander...
Five reels of stockshots of the Western Front, with no apparent theme or linking sequence. The majority of the material for all but the final reel comes from IWM 191 BATTLE OF THE SOMME. The majority ...
Panoramic shot over Santiago de Compostela. A crowd in the streets attends a procession followed by a parade of men with hats, women with veils, people with masks and music bands.
Shots of London's famous buildings during the First World War.
A Royal Engineers sergeant shows how to load two carrier pigeons into a small wicker basket for transport. At the Rosyth seaplane base Felixstowe F2A flying boats and Short 184 seaplanes ride at ancho...
On board of a German battleship.
The film opens with Oxford Street in London and declares that "luxury shopping" is not helping the war effort. This is contrasted with the ways in which women do help: a mother looking after her two s...
The workforce is mainly women working at benches or on production lines. They test rubber mouthpieces for leaks with a probe. They test the expiratory valves in the same manner. The corrugated tubes a...
The American Committee's health department brings the medical authorities' and parliamentary circles' attention to the state of children's public health in the disaster-stricken Aisne region. Seventee...
On the staging and filming of a party on the allied armies in the WWI.
Spanish writers and personalities devoted to their hobbies: reading, walking, painting or visiting a museum.
The young hothead Billy is drifting into a life of crime and has a violent quarrel with his girlfriend Nelly. The lay preacher John Redmond tells Billy his life's story. Many years before, he was a we...
Daily call sheet for 10 October 1958 for the shooting of "The Indian Tomb".
Dialogue list (excerpt) for "Tom Dooley - Held der grünen Hölle".
Dialogue list (excerpt) for "Am Tag als der Regen kam".
Screenplay (excerpt) of "Am Tag als der Regen kam".
Daily production report No. 16, 15 September 1956 on the shooting of "Ein Mann muß nicht immer schön sein".
Daily production report No. 20, 04 September 1964 on the shooting of "Das 7. Opfer".