One of a series of 20 films made for Babcock and Wilcox between 1954 and 1961, it illustrates the firm's involvement with atomic power and their construction of a reactor pressure vessel at Hinkley Po...
Steel making processes at Glengarnock Iron and Steel works.
The Forth and Clyde Canal's operations on its last year of use.
Hostels at Loch Ard, Inverbeg and Rowardennan, with footage of hostellers climbing Ben Lomond and the Cobbler, canoeing on Loch Lomond and enjoying a dance.
The sculptor Benno Schotz at work in his studio in Glasgow, and demonstrating his technique. The film examines his working methods and the themes running through his work. Much of his work is as a m...
A football match between Elgin City and an unidentified team, and the Inspection and Presentation of Colours of the Boys' Brigade (Inverness Battalion).
Various scenes of the village of Colinton from the early 1940s through to the mid 1950s.
Family Christmas from the mid 1960s.
Maartje Pasman, Enrique Fiss in "Near and Elsewhere" (2018)
Szene aus "Losers and Winners"
Ken Duken, Hinnerk Schönemann (v.l.n.r.)
"The Farmer and I" (2013-16)
"Rivers and Tides" (1998-2001)
Branislav Trifunovi?, David Thornton (v.l.n.r.)
Szene aus "Losers and Winners"
Szene aus "Noise and Resistance"
Daily production report No. 24, 03 August 1958 on the shooting of "Der Stern von Santa Clara".
Brief an den Reichsminister des Innern Berlin vom 23.03.1931; rechtswidriger Entzug der Vorführungserlaubnis von "Frauennot - Frauenglück".
Daily production report No. 26, 15 August 1959 on the shooting of "Abschied von den Wolken" in Berlin (Tempelhof Military Airport).
Letter from CCC to Circus Krone, 27 May 1958, regarding the rental of animals for the shooting of "Ihr 106. Geburtstag".
National-Film-A.G., Freiheit, Gleichheit, Brüderlichkeit !, Lichtbildbühne, 45, (1918).
Letter from CCC to Zoological Garden Lübeck, 30 May 1958 regarding the loan of three lions for the shooting of "Ihr 106. Geburtstag".
Costume excerpt for "Kampf um Rom. 1. Teil", part of "Julia" played by Ingrid Boulting.