Incomplet. The film follows the arrival in Lisbon of a UFA delegation to shoot some of the scenes of Estupefacientes/Der Weisse Damon (Kurt Gerron, 1932) and its french version (Stupéfiants).
Home movie. Filming of a child with his parents during a trip to Rome. The movie shows their visit to the zoo, to St. Peter’s Square and to the Colosseum. The video is a copy from the film print he...
Margaret durante il banchetto conversa con l'arcivescovo di Chanterbury
Margaret legge una breve dichiarazione durante il banchetto
Towsend scende da un'automobile
1 - cavallo nella scu...
Boris Aljinovic, Norbert Heisterkamp, Martin Schneider, Mirco Nontschew, Gustav-Peter Wöhler, Otto Waalkes, Ralf Schmitz (v.l.n.r.)
Renate Holm, Adrian Hoven, Gunther Philipp, Peter W. Staub, Michael Jary, Sonja Ziemann (v.l.n.r.)
Szene mit Vera Frydtberg, Michael Cramer, Peter Vogel, Walter Giller, Ernst Jacobi, Robert Freytag (v.l.n.r.)
Szene mit Josef Moosholzer (links), Alexandra Bogojevic (2.v.l.), Florian Endlicher (2.v.r.), Peter Hamm (rechts)
Szene mit Kai Ivo Baulitz, Ulrike Tscharre, Tobias Schenke, Sebastian Rudolph, Peter Fitz (vorne v.l.n.r.)
Peter Thorwarth, Alexandra Maria Lara, Willi Thomczyk, Dietmar Bär, Hilmi Sözer, Ralf Richter (v.l.n.r.)
Mario Adorf, Jost Vacano, Peter Arnold, Volker Schlöndorff, Alexander Ebermayer von Richthofen (v.l.n.r.) (Dreharbeiten)
Boris Aljinovic, Ralf Schmitz, Martin Schneider, Gustav-Peter Wöhler, Norbert Heisterkamp, Mirco Nontschew, Otto Waalkes (v.l.n.r.)
Internal correspondence regarding "Der 20. Juli", with handwritten comments by Artur Brauner.