An educational film profiling the work of the Catalan/Spanish architect Antoni Gaudi. Concerned principally to show this Catalan artist as a great pioneer of modern architecture. Records the most im...
A pickpocket acts as an inept golfer. Helpful souls become robbed. A female pickpocket turns up. The two pickpockets pick the golfers pockets. But they become disclosed. They try to escape and shoot a...
Kort melodrama: De Chinees Sang Lee ontfermt zich over een blank kind (Jack). Twintig jaar later verdedigt Jack, als prominent advocaat, zijn ten onrechte beschuldigde pleegvader in de rechtbank.
Wanneer de inmiddels rijke Jack zijn vroegere geliefde per toeval op het witte doek ziet, gaat meteen op zoek naar haar.
The film is set in the spring of 1919. After the withdrawal of the German Army from Vilnius, the Polish-Bolshevik war breaks out. Waging with varying degrees of success, it brutally invades the life ...
A young girl works cleaning the kitchen floor of a house. When she has finished she tosses the soap and cloth into the sink, which is full of water. The cook tells her, gently, that the soap will wast...
A camel train approaches and enters the city. A panorama of the city taken from the sea. Tiffin (compressed camel or horse fodder) being unloaded from ships lying out to sea by surf boats. The men wor...
"Above and Below" (2012-14)
Natasja Juul in "Near and Elsewhere" (2018)
Natasja Juul in "Near and Elsewhere" (2018)
Enrique Fiss in "Near and Elsewhere" (2018)
Andy Goldsworthy in "Rivers and Tides" (1998-2001)
German movie poster of "Salt and Fire" (2015/16)
Irmin Schmidt in "Can and Me" (2022)
"Above and Below" (2012-14)
Daily production report No. 15, 26 April 1963 on the shooting of "Der Würger von Schloß Blackmoor".
Auszug aus der deutschen Filmzeitung vom 04.04.1930.
Overview on the shots per actor for the shooting of "Der Würger von Schloß Blackmoor", with handwritten annotations.
Day out of days for "Der Würger von Schloß Blackmoor".
Die Verfilmung von Königlichen Lazarettbesuchen in der "Eiko-Woche", Der Kinematograph, 441, (1915), S. 10. Bericht über die Absicht de Eiko-Woche, nicht nur Kämpfe zu filmen, sondern auch das mili...