The film opens with Oxford Street in London and declares that "luxury shopping" is not helping the war effort. This is contrasted with the ways in which women do help: a mother looking after her two s...
Views of Baghdad and Babylon in Mesopotamia and of Baalbec on the Palestine Front, 1918.
The American Committee's health department brings the medical authorities' and parliamentary circles' attention to the state of children's public health in the disaster-stricken Aisne region. Seventee...
SPCA inspects farm and transport of livestock, and shows the care of both working animals and pets. Also outlines SPCA's role in rehoming animals, and in educating children about pet care.
Holidaymakers setting out from Glasgow, and travelling by train and steamer down the coast to Rothesay and Ettrick Bay. Includes tracking shots from tram in Sauchiehall Street.
A demonstration on how to use a Seine net for trawling. This film was planned by the Marine Laboratory Aberdeen, as part of their research programme on the efficiency of fishing gear. "Grateful ackn...
A look at the social and economic changes in Scotland during the 1950s, after the upheaval of the war. From the restoration of Iona Abbey to the development of new industries.
A tour through various exhibitions in the Kelvingrove Art Gallery and Museum.
Sangay Rinchen, Irja von Bernstorff (both in the front) in "The Farmer and I" (2013-16)
Sangay Rinchen (on the left) in "The Farmer and I" (2013-16)
Maartje Pasman, Enrique Fiss in "Near and Elsewhere" (2018)
Szene aus "Losers and Winners"
Ken Duken, Hinnerk Schönemann (v.l.n.r.)
"The Farmer and I" (2013-16)
"Above and Below" (2012-14)
"Rivers and Tides" (1998-2001)
Zensurwirrwarr !, Die Filmwelt, 12.Jg., 50, (1918), S. 12-20. Obwohl die Zensur durch Reichsgesetzgebung aufgehoben sei, würde die Zensur in Württemberg und Bayern weiterbestehen, in Berlin würden ...
Richard Ostwald Film GmbH, Die Prostitution, Lichtbildbühne, 50, (1918), S. 74-75. Werbung für einen Film über die Prostitution.
Memo for "Das verbotene Paradies".
Das Königliche Bild-und Filmamt und die Industrie, Der Kinematograph, 571, (1917). S. 22ff. Artikel über Verhandlungen des Bild-und Filmamtes mit Vertretern der Filmindustrie. Bufa zeige sich am Woh...
Passt das Kino in den Ernst der Zeit ?, Der Kinematograph, 468, (1915), S. 20-21. Die Kritik am Kino sei völlig unangebracht, da das Kino generell mit anderen Maßstäben gemessen werde als andere Un...