The film shows the visit of King Haakon 7th to the city of Sandefjord in 1916.
The film gives a vivid and lively picture of landscape, buildings, industry and everyday life in the small city of Sandefjord in the southern parts of Norway.
Norwegian soldiers at military exercise in Northern Norway.
Newsreel with international and Norwegian content, among others shipbuilding, sailing, Pickford and Fairbanks' wedding, and winter sport activities.
Report from the ski jumping competition at the Holmenkollen ski jump in Oslo in 1917.
From the celebration of the Norwegian national day, the 17th of May, in the capital Kristiania, later named Oslo. The day is celebrated traditionally with choral singing, brass bands and children's ...
The film shows May Day parades and other arrangments under the auspices of the labour movement in Norway.
Two events in the city of Kristiansand around 1918: A rich Norwegian emigrant returns from America, and a memorial for sailors killed in World War I is unveiled.
Czechoslovak volunteers relax - long-jump.
Czechoslovak volunteers relax - exercise with batons.
Czechoslovak volunteers relax - a volleyball match.
In 1919 invalids left the front preferentially. Czech war invalids go down the street in Chicago.
Chinese people celebrate New Year day in Chailar.
Chinese people celebrate New Year day in Chailar.
21st December 1918. Welcome of the President T.G. Masaryk by volunteers on Old Town Square. Next to the President Masaryk stands František Tomášek (in the hat) - the Head of Parliament.
21st December 1918. Welcome of the President T.G. Masaryk by volunteers on Old Town Square. Next to the President Masaryk stands František Tomášek (without the hat) - the Head of Parliament.
Gedanken zur Lustbarkeitssteuer, Der Kinematograph, 694, (1920), S. 24-25. Plädoyer gegen die maßlos hohen Lustbarkeitssteuern, die Kulturschaffende in eine präkere Lage versetzen würden. Kino- un...
Hilda Blaschitz. „Tirol in Waffen (Andreas Hofer).“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,8 (1913/1914): 207-208. Blaschitz lobt den Film und hebt insbesondere hervor...
Emil Gobbers, Das Filmdrama im Zeichen der Revolution, Der Kinematograph, 652, (1919), S. 15-16. Der Film sei dazu berufen, die Ausdrucksform einer neuen Kunst für eine neue Zeit zu sein. Wenn sich d...
O. Verf.. „Krieg und Kino.“ Der Kinematograph 397 (1914): 3-4. Bericht, wie bislang der Film in Kriegen eingesetzt worden sei. Ratschläge an Kinobesitzer, wie sie sich zu verhalten hätten. Mutma...