Bringing food from overseas - aerial views of a convoy, escorting cruiser USS Birmingham, and an Astre-Torres type SS airship. Unloading supplies - grain ships discharge cargo into barges. India Line ...
Some of the film comes directly, including the captions, from IWM 17 NEW CRUSADERS. Most of the segments are of only a few seconds' duration. Most of the film is of ancient ruins like Babylon and Baal...
I. (Reel 1) Mainly unrelated scenes. A British 6-inch 26cwt (?) howitzer. Turkish prisoners being searched by British troops. A dressing station with Indian orderlies, a motor ambulance and a doctor p...
The cadets are encamped near the town. They form on their grassy 'parade ground'. They march past Major-General F C Heath-Caldwell, commanding South Eastern Area of the RAF. The film jumps to their at...
The material was mainly used in the WITH THE FORCES IN MESOPOTAMIA series. It opens with two Holt tractors of 13th Indian Division hauling a 6-inch 30cwt (?) howitzer across the Narim River at Narim K...
A Short 184 some distance away from the camera comes in to land, then takes off. A PV5 seaplane taxies through the harbour, increasing speed to keep ahead of the camera boat. A Short 184 taxies around...
(Reel 1) The crew of airship SSZ28 prepares for a flight. As they wait, seated in the open gondola, they are handed a basket of carrier pigeons, the pilot is given his charts and orders, and an armour...
I (Reel 1) The opening is filmed from the river. First, Ezra's Tomb, a landmark at Qurna, about 200 km down river from Kut, followed by Qurna itself. The boat continues downstream, passing several sma...
Medium shot of Nurse Mathilde (actress: Adina Mandlová) lying in a bed with a bandage on her left elbow. Nurse Tonička (actress: Truda Grosslichtová) is standing on the left with her hand resting o...
Medium shot of Rjepkin (actor: Vladimír Borský) standing next to a night stand in a hospital room. In the background is a window with a panoramic view of Brno.
Wide shot of an empty city street with three-storeyed buildings on the right and urban greenery on the left.
Medium shot of Nurse Mathilde (actress: Adina Mandlová) standing in a half opened door with her hand on the door handle.
Three families on the villiage green after the mobilization. From the left Mrs. Bártová and her son, Bárta (laborer), Janda (smith) and Tomeš (farmer) pledge a loyalty to the idea of Slavonic unit...
Three families on the public green after mobilization. From the left: Mrs. Bártová, Bárta and his son, Janda and his family, Tomeš and his family. Travel packages in the foreground.
After the mobilization: women hold on men and cry. On the left Janda (smith), the second one is Tomeš (farmer).
Farmer Tomeš and his son Jeníček with the oxcart full of straw.
K.W., Kino, Krieg und Kirche, Der Kinematograph, 465, (1915), S. 15-16. Bericht über die preußische Generalsynode, in der das Kino als verderblich angegriffen wurde. Der Verfasser entgegnet, dass di...
National Film G.m.b.H. "Wir Barbaren", Der Kinematograph, 439, (1915), S. 20-22. Rezension einer Komödie, die die französische Propaganda gegen Deutschland aufgreift.
Joniak, Nikolaus: „Der Kino und die Mässigkeitsbewegung.“ Der Kinematograph 395 (1914). Das Kino sei nicht nur kein Feind der Sittlichkeit, sondern stehe sogar der Trunksucht als Quelle aller mor...
Kriegsbilder-Revuen, Der Kinematograph, 419, (1915), S. 13. Die Aufnahmen, die das Volk vom Krieg zu sehen bekomme, seien oft nicht informativ genug, weil sie aus Zensurgründen gekürzt seien. Es sei...
Jean Th. Lommen, Film- und Kinoschund, Der Kinematograph, 690/91, (1920), S. 35-41. Die Presse äußere sich vor allem negativ über den Film. Die Kritik der Kinogegner richte sich vor allem gegen Kri...
Stein, O. Th.. "Der Kinematograph als moderne Zeitung." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 2 (1913/1914): 25-28. Stein beschreibt die Wochenschau in den Kinos als sch...
O. Verf.. „Kinotheaterwesen und deutscher Einfluss im östlichen Mittelmeer.“ Der Kinematograph 374 (1914). Obwohl es im Rahmen des Bagdadbahnprojekts zur verstärkten Gründung von Kinos durch de...
O. Verf.. „Schliesst die Kinos nicht.“ Der Kinematograph 399 (1914): 3-4. Aufruf an die Kinoindustrie, die Kinos nicht zu schließen, da das Volk in Kriegszeiten Ablenkung brauche. Die Eintrittspr...