Volledig journaal over de begrafenisplechtigheid van koning Albert I. De film opent met beelden van een persoon, die een krant openhoudt, met de titel "La Belgique en deuil. Le roi est mort". Beelde...
Experimentele documentaire van Henri Storck. Een jaar lang onderzocht Storck de beeldjournaals van 1928, toen 60 landen een overeenkomst tekenden waarin oorlog buiten de wet gesteld werd. Hij confro...
Reportage over de inhuldigingsceremonie van het monument voor de Onbekende Soldaat in Brussel (SCAB). In de loop van 1915 werd er werk gemaakt van een gecoördineerd filmbeleid in het leger: de Serv...
1 - 1915 - mobilitazione
2 - il filmato è ricco di cori militari e di rumori fuori scena
3 - fanti equipaggiti camminano incolonnati su un pensilina di una stazione ferroviaria, in lontan...
Compilatie van journaalopnamen die een tijdsbeeld geven van de periode 1900 - 1940. Afkomstig uit de archieven van Gaumont Actualités, Gaumont British en Haghe Film,
Poor quality film of a line of Aviatik CIIs taking off. The pilot and observer of an Aviatik CV (DFW?), with a prominent skull-and-crossbones design on its side, prepare for a sortie and take off. The...
The film opens with Marshal Joffre talking to General Pershing. It then shows French soldiers in the rear area peeling potatoes, moving around woods, saddling pack horses to take them for a ride, and ...
The earliest flights were in spherical balloons. In 1903 the Wright brothers made the first flight (their Mark II Flier of 1904 is shown in flight). A 1910 Glen Curtiss Golden Flier. A 1927 Douglas M4...
View of a restaurant filled with guests, primarily Austrian officers. Nurse Mathilde (actor: Adina Mandlová) is sitting in the centre background and behind her are seated musicians playing instrument...
Medium shot of an Austrian soldier, Dr. Šrámek (actor: František Smolík), Nurse Mathilde (actress: Adina Mandlová), and other doctors standing by a desk in an office.
Wide shot of an Austrian soldier, Dr. Šrámek (actor: František Smolík), Nurse Mathilde (actress: Adina Mandlová), and other doctors standing by a desk in an office.
Medium shot of two nurses. Tonička (actress: Truda Grosslichtová) is holding a wash basin with a sponge and Mathilde (actress: Adina Mandlová) is washing the face of a lying patient. In the backgro...
Wide shot of a café. Austrian officers sit around tables on the right and left (second from left is actor Jaroslav Marvan). Dr. Šrámek (actor: František Smolík) is standing next to the table on t...
View of a hospital room. Infantryman Sakař (actor: Jindřich Plachta) is lying on a bed with a bandaged neck and closed eyes. Leaning over him to the left is infantryman Tlamicha (actor: Theodor Piš...
In the foreground, Lieutenant Rjepkin is lying on a hospital bed. Two doctors and Nurse Mathilde (actress: Adina Mandlová) are standing over him. Dr. Klíma (actor: Karel Veverka) has a stethoscope i...
Medium shot of Nurse Mathilde (actress: Adina Mandlová) in civilian clothing and Dr. Šrámek (actor: František Smolík) in an officer's uniform. They are standing in a corridor.
Oscar Geller, Detektiv-Filme, Der Kinematograph, 593, (1918), S. 21-25. Eröterung der Krimiwelle. Man könne Krimis nicht einfach als Schund abtun. Auch wenn viele der frühen Krimis, maßgeblich aus...
Argus, Der rasende Roland von Euskirchen, Der Kinematograph, 582, (1918), S. 6. Entgegnung auf Vorwürfe des Euskirchener Volksblattes, das Kino sei sittenverderbend. Der Schriftleiter Werner Rats kö...
Der Lustspielfilm, Der Kinematograph, 490, (1916), S. 17-18. Bericht über die große Zahl an Komödien, die in den letzten Monaten erschienen seien.
Argus, Neuheiten auf dem Berliner Filmmarkte, Der Kinematograph, 562, (1917), S.18-27. Die Messter-Film-Aufnahmen vom Luftkämpfen stehen an erster Stelle und werden als sensationell bezeichnet.
Universum Filmverleih, Der ewige Frieden Pax Aeterna, Lichtbildbühne, 48, (1918), S. 68
Neutral Film, Die Welt ohne Hunger, Lichtbildbühne, 48, (1918), S. 3.
Kriegsanleihe-Filme, Der Kinematograph, 562, (1917), S. 28. Der Film "Der papierene Peter" wird als humorvoll und originell bewertet und werde seinem Zwecke gerecht.
Neuheiten auf dem Berliner Filmmarkte, Der Kinematograph, 559, (1917), S. 12-13. Rezension des von der Bufa herausgebrachten Films über den U-Boot-Krieg.