(Reel 21) The episode starts with 'Justice' and captioned newspaper clippings, "British forces in peril... more important than Kut". The decision to send the relief force on 4th April 1919 is reported...
The first third of the film is badly jumbled and shows repeated shots of the naval contingent (including the Royal Marines) led by Admiral Sir David Beatty, passing through Admiralty Arch and about to...
I. The film contrasts quotes from a German newspaper given as 'Westphalia Daily News' reporting the damage or destruction of prominent landmarks in the centre of London with film of those places taken...
(Reel 1) Partly through the limitations imposed on the filming of Japanese royalty and inside the various palaces, this film shows virtually nothing of the official ceremonies. The first half concentr...
Damage in the Roye-Soissons area, showing many of the smaller towns and villages. Destroyed fruit trees. A desecrated cemetery at Tergnier. Damaged houses at Coucy-la-Ville and Coucy-le-Château. The ...
I. A recruiting march by girls of the Women's Land Army in central London, April 1918. Members of the Women's Land Army form an escort for the Lord Mayor of London, Charles A Hanson, as he enters Sain...
(Reel 1) The departure of the Archduke (later Emperor) Karl with General Conrad von Hötzendorf from Vienna to inspect Austrian troops in the Tyrolean region, close to the Italian Front. Outside a hun...
The rail station at Châtel-Chéhéry near the Aisne on 11th October 1918 showing the limit of the German advance to Paris. A view of the town itself two days later. German prisoners of war at a camp ...
Medium shot of Lieutenant Rjepkin (actor: Vladimír Borský) and Nurse Mathilde (actress: Adina Mandlová) standing in a small room. The nurse is in uniform and holds the button on Rjepkin's coat. In ...
Medium shot of three privates: Tlamicha (actor: Theodor Pištěk), yawning Sakař (actor: Jindřich Plachta), and smiling Vyskočil (actor: Břetislav Hrstka).
Medium close-up of the wounded Corporal Bartoněk (actor: Jiří Vondrovič) with bandaged eyes and an arm in a cast with Nurse Tonička (actress: Truda Grosslichtová, in profile).
Medium shot of an operating room. Standing around the lying patient are Dr. Klíma (actor: Karel Veverka), a nurse (actress: Míla Mellanová), Dr. Šrámek (actor: František Smolík), and another nu...
Wide shot of a hospital corridor with Dr. Šrámek (actor: František Smolík), nurse Mathilde (actress: Adina Mandlová), and Lieutenant Rjepkin (actor: Vladimír Borský). Other patients can be seen...
Wide shot of a hospital room during doctor's rounds. In the centre, a Muslim patient in a robe and with a fez on his head sits on a bed. To the left of him stands a group of five doctors with doctors ...
Wide shot of men sitting at a table in a hospital room. Sakař (actor: Jindřich Plachta) is standing at the head of the table with raised arms, speaking to the group. Sitting to the left of him is Vy...
Wide shot depicting the activity in front of a stopped train. Combat medics are carrying Lieutenant Rjepkin (actor: Vladimír Borský) from the train on a stretcher; Rjepkin is covered with a blanket....
Kritik aus Breslauer Zeitung (15.07.1917) zu Der Golem und die Tänzerin.
Monopolfilm-Vertriebs-GmbH..“Patriotisches Kriegs-Programm.“ Der Kinematograph 399 (1914): 5. Werbung für das aktuelle Filmprogramm der Monopolfilm GmbH.
Der Krieg auf der Ranch !, Der Kinematograph, 701 /02, (1920). Werbung für einen Western.
Das Wichtigste der Woche, Der Kinematograph, 670, (1919), S. 25-26. Seit dem 2.11.1919 gebe es in Berlin eine freiwillige Filmzensur. Die USPD habe im Reichstag den Antrag gemacht, die Kinos zu versta...
O. Verf.. „Kino und Kirche.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 3/4 (1913/1914): 73-74. Beschlüsse der Fuldaer Bischofskonferenz von 20.8.1913. Schulpflichtigen ...
Dr. Hellwig. "Plakatwesen in Bayern." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 1 (1913/1914): 23. Das Anbringen von Filmplakaten sei ohne polizeiliche Genehmigung noch imme...
Kriegsabenteuer eines Kino-Operateurs, Der Kinematograph, 437, (1915), S. 14-15. Erlebnisbericht des Müncher Kameramanns Martin Kopp von seinen Erlebnissen als Kriegsberichterstatter.
P.l., Kinematographische Kriegsberichterstattung, Erste Internationale Filmzeitung, 9.Jg.,Nr.22, (1915), S. 27. Die filmischen Kriegsneuheiten seien anfangs sehr begeistert aufgenommen worden, würden...