Mr Gompers with two other labour leaders comes up the ladder and onto the quarterdeck of HMS Queen Elizabeth. Admiral Sir David Beatty is there with his staff to shake hands and meet him.The King and ...
(Reel 1) The film opens by stating that as the basis for the expansion of the Army in wartime the TA "may be a factor in the maintenance of peace". Men of 4th Battalion, Northamptonshire Regiment, mar...
Chang's Army of Fengtien, with Russian assistance, advances down the coast of the Gulf of Chihli, the territory of the warlord Wu Pei-Fu of Peking. Most of the battle sequences are clearly reconstruct...
A balloon of 23rd Kite Balloon Company defended by a 13-pounder anti-aircraft gun on a lorry mount. A crashed RE8 reconnaissance aircraft (compare with the same scene in IWM 68 MESOPOTAMIA - DIYALA RI...
(Reel 1) The icebreaker SS Canada brings the cameraman and his colleagues into Archangel harbour in the middle of winter. The locals, in full furs, use sledges for transportation, some of them drawn b...
Uses of flying boats in the war, starting with a Felixstowe flying boat coming in to land at its base, probably Hamble, followed by a rare CE1 flying boat also landing. The main subject of the film is...
I. French language version of a newsreel of H S Cautley MP opening the municipal piggeries in London, June 1918. As a crowd watches, Cautley lights a fire under a bin in order to cook pigswill. He lad...
I. 'LONDON FLOWER FAIR. Lord Charles Beresford receives Royal party at British Ambulance Society's function in Trafalgar Square.' Admiral Lord Beresford in formal civilian dress talks with ex-Queen Am...
Still with Lyda Salmonova, Paul Wegener (third on the left)
Paul Hartmann, Henny Porten
"Der Golem, wie er in die Welt kam" (1920)
Still from "Der Diamantensucher"
Screenshot from "Hindenburgs 70. Geburtstag im Großen Hauptquartier"
Still from "Des Malers Bettelweib"
Henny Porten, Paul Hartmann
Screenshot from "Bilder aus der großen Schlacht. 5. Teil"
H.v.W., Schund, Schmutz und Kino, Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, IV, 12, (1914/1915), S. 255-256. Die Reaktionen auf "Fräulein Feldwebel" seien ähnlich wie die auf ...
O. Verf.. „Mit der Kamera in der Schlachtfront.“ Der Kinematograph 368 (1914).
O. Verf.. „Mit der Kamera in der Schlachtfront.“ Der Kinematograph 367 (1914). Werbung
Ganzemüller. "Der Kino in Diensten des Bayerischen Bauernvereins." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,2 (1913/1914): 39-40. G. berichtet vom Einsatz des Films als Erz...
Goetz, Hans. "Kinematograph und Wissenschaft (Schluß)." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 2 (1913/1914): 28-32. Goetz beschreibt in seinem Artikel die neuesten Fors...
Notes on film’s potential in depicting reality with emphasis on some reels on WWI.
Notes on the use of instructional and training films during World War I. The example of a film produced by Bray Studios.