A glance into the everyday life of the Monarchy's prisoner of war camp in Esztergom, where primarily Russians were detained.
Gentlewomen collect donations from pedestrians in a collecting box. Children are given cake.
In 1898 the Hungarian Royal National Defense built a garrison hospital on Gyáli Street in Budapest. In 1914, due to the increase in the number of sick and wounded, a military hospital (1) for war cas...
The film was prepared during the second year of World War I, and shows the daily life of one of Budapest’s favorite walking areas, the Danube Boardwalk. Well-dressed elegant men and women are stroll...
Reportage over Leopoldville, hoofdstad van voormalig Belgisch Congo. De beeldreportage wordt ingeleid met beelden van Leopoldville en de bedrijvigheid die in de stad heerst. Vervolgens wordt het ges...
Deze reportage, naar een idee en met commentaar van pater Jean Gardella, is een promotiefilm voor de Priesters van het Heilig Hart (= missionarissen). We zien hoe kinderen in de scholen van de Pries...
IJzer-Journaal (SCAB). In de loop van 1915 werd er werk gemaakt van een gecoördineerd filmbeleid in het leger: de Service Cinématographique de l' Armee Belge (SCAB) kwam tot stand in De Panne, in ...
Reportage over de plechtigheden in Brugge en Antwerpen, naar aanleiding van de repatriëring van de stoffelijke overschotten van Kapitein Fryatt, die gefusilleerd werd door de Duitsers (SCAB). In de...
Medium shot of Nurse Mathilde (actress: Adina Mandlová) lying in a bed with a bandage on her left elbow. Nurse Tonička (actress: Truda Grosslichtová) is standing on the left with her hand resting o...
Medium shot of Rjepkin (actor: Vladimír Borský) standing next to a night stand in a hospital room. In the background is a window with a panoramic view of Brno.
Wide shot of an empty city street with three-storeyed buildings on the right and urban greenery on the left.
Medium shot of Nurse Mathilde (actress: Adina Mandlová) standing in a half opened door with her hand on the door handle.
Three families on the villiage green after the mobilization. From the left Mrs. Bártová and her son, Bárta (laborer), Janda (smith) and Tomeš (farmer) pledge a loyalty to the idea of Slavonic unit...
Three families on the public green after mobilization. From the left: Mrs. Bártová, Bárta and his son, Janda and his family, Tomeš and his family. Travel packages in the foreground.
After the mobilization: women hold on men and cry. On the left Janda (smith), the second one is Tomeš (farmer).
Farmer Tomeš and his son Jeníček with the oxcart full of straw.
D., O.. „Pathé Frères & Co.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,6 (1913/1914): 149-150. Die Redaktion gibt bekannt, ab sofort die Werbung für die Firma Pathé F...
R. Genenncher, Die Internationalität des Films, Der Kinematograph, 630, (1919), S. 7-8. Entgegnung auf die Forderung nach nationaler Kunst. Es sei unsinnig, die in der Kaiserzeit vorherrschenden mona...
Robert Neulaender, Kino und Krieg, Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, IV, 12, (1914/1915), S. 256-257. Die Filmberichte über das "Neueste vom Kriegsschauplatz" seien eig...