One of a series of 20 films made for Babcock and Wilcox (Steam) Ltd. between 1954 and 1961. Scenes of work and recreation for members and friends of the Babcock and Wilcox family. [See also refs. 15...
One of a series of 20 films made for Babcock and Wilcox (Steam) Ltd. between 1954 and 1961. Featuring their Cyclone furnace for firing coal at work; the Renfrew staff association magazine going to pre...
One of a series of 20 films made for Babcock and Wilcox (Steam) Ltd. between 1954 and 1961. The 1957 Industrial Fair and Exhibition in Sydney, Australia where Babcock and Wilcox Australion Co. had a ...
One of a series of 20 films made for Babcock and Wilcox (Steam) Ltd. between 1954 and 1961. The film includes shots of Babcock and Wilcox boilers being installed in the Kodak factory, Essex. [See al...
One of a series of 20 films made for Babcock and Wilcox (Steam) Ltd between 1954 and 1961, it includes a tea party for members of staff held at Turnberry Hotel where they also play golf for the inter-...
One of a series of 20 films made for Babcock and Wilcox (Steam) Ltd. between 1954 and 1961, it features the Babcock and Wilcox tower crane involved in building the new sports stadium, Crystal Palace, ...
One of a series of 20 films made for Babcock and Wilcox between 1954 and 1961, it illustrates the firm's involvement with atomic power and their construction of a reactor pressure vessel at Hinkley Po...
The Forth and Clyde Canal's operations on its last year of use.
Joseph Vogl in "Near and Elsewhere" (2018)
Enrique Fissin "Near and Elsewhere" (2018)
Sangay Rinchen in "The Farmer and I" (2013-16)
Andy Goldsworthy in "Rivers and Tides" (1998-2001)
"Love and 50 Megatons" (2019)
Ken Duken
Natasja Juul in "Near and Elsewhere" (2018)
Episode: Das Ritual
Martin Dentler GmbH. „Die richtigen Films zur richtigen Zeit.“ Der Kinematograph, 401 (1914): 11. Werbeanzeige, die mit der Bedeutung der beworbenen Filme angesichts des Krieges wirbt.
C.Z.K.. „Presseschau.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 3/4 (1913/1914): 89-90. Der Autor zitiert mehrere Pressestimmen, die den kulturellen Wert des Films herv...