Film production supported by the British occupation forces as part of the Re-Orientation Program. Set in post-war Germany, the film tells the story of the Stadtmeier couple, who are on their way to vi...
The film is fully in the tradition of ethnographic documentary. The description of the Somali capital refers to the same cinematic medium, between the white of the ancient architecture of different pe...
Winter 1945: emergency aid for victims and orphans provided by a charity organisation.
Film production supported by the British occupation forces as part of the Re-Orientation program. A radio reporter for women's issues provokes in his broadcast with the suggestion that women should co...
The film outlines the state of transportation in post-war Europe and the progress being made in rebuilding and modernizing roads, airports and the rail network. National initiatives and Marshall Plan ...
The film is preceded by the following message in the opening credits: "This is a translated version of a film produced under the supervision of the Information Control Division, Office of Military Gov...
The film evokes the demographic increase in France and the housing crisis to which the new constructions are struggling to respond, with real examples and fictional cases.
The film begins with ge...
An insight into a social life taking place in public cafeterias told from a perspective of a journalist-director. It presents the venue of public cafeteria in contrast to a luxurious restaurant. It de...
Film production supported by the British occupation forces as part of the Re-Orientation Program. Set in post-war Germany, the film tells the story of the Stadtmeier couple, who are on their way to vi...
The film is fully in the tradition of ethnographic documentary. The description of the Somali capital refers to the same cinematic medium, between the white of the ancient architecture of different pe...
Winter 1945: emergency aid for victims and orphans provided by a charity organisation.
Film production supported by the British occupation forces as part of the Re-Orientation program. A radio reporter for women's issues provokes in his broadcast with the suggestion that women should co...
The film outlines the state of transportation in post-war Europe and the progress being made in rebuilding and modernizing roads, airports and the rail network. National initiatives and Marshall Plan ...
The film is preceded by the following message in the opening credits: "This is a translated version of a film produced under the supervision of the Information Control Division, Office of Military Gov...
The film evokes the demographic increase in France and the housing crisis to which the new constructions are struggling to respond, with real examples and fictional cases.
The film begins with ge...
An insight into a social life taking place in public cafeterias told from a perspective of a journalist-director. It presents the venue of public cafeteria in contrast to a luxurious restaurant. It de...
Rheinische Filmgesellschaft , Der letzte Untertan, Der Kinematograph, 645, (1919), S. 2. Werbung, die darauf hinweist, dass Filme wie der beworbene erst aufgrund der Aufhebung der Zensur möglich seie...
Costume excerpt for "The Indian Tomb", part of "Chandra" played by Walter Reyer.
Daily production report No. 34, 16 February 1966 on the shooting of "Lange Beine - lange Finger".
Die Eiko-Kriegswoche im Dienste der Auslandsaufklärung, Der Kinematograph, 453, (1915), S. 22. Bericht über eine Vorführung von Eiko-Wochenschaubildern vor dem amerikanischen Botschafter.
Time report, 02 October 1958, on "The Indian Tomb".
Costume list for "Der Czardas-König (Die Emmerich-Kalman-Story)".
Bergmann, Franz. "Die Konzessionspflicht Der Kinematographentheater." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,7 (1913/1914): 153-163. Bericht über das die neu erlassene Ko...